The first image he told me about was of three children on a road in Iceland in 1965. He said that for him it was the image of happiness, and also that he had tried several times to link it to other images, but it never worked. He wrote me, "One day I'll have to put it all alone at the beginning of a film, with a long piece of black leader. If they don't see happiness in the picture, at least they'll see the black."
“Thanks for this, a very enjoyable movie. I especially liked the scene where Lloyd's character domesticates the moving truck for his girlfriend - a very sweet and touching moment. And the reverse . . .”
8 comments
By Sandor K.
February 08, 2012
06:48 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Craig J. Clark
July 30, 2012
04:23 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Asa-Nisi-Masa
July 30, 2012
07:33 PM
By Sidney
July 30, 2012
06:37 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Ulisses de Freitas
July 30, 2012
08:31 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Davor Kanjir
July 31, 2012
06:35 AM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Craig
July 31, 2012
01:04 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Craig
July 31, 2012
02:56 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.