Revolutionary Artist: Emory Douglas on the Black Panthers and Melvin Van Peebles
The illustrator behind the cover image of our box set Melvin Van Peebles: Essential Films speaks with the edition’s designer about his history-making, boldly political aesthetic.
Caitlin Kuhwald’s Hand-Drawn Portraits Bring Iconic Faces to Life
The Los Angeles–based artist behind the covers for our editions of Amarcord and The Awful Truth discusses the evolution of her work.
Artist Victo Ngai Captures the Lush, Enigmatic Layers of Flowers of Shanghai
For the cover image of our edition of Hou Hsiao-hsien’s opulent masterpiece, the award-winning illustrator combined traditional Chinese figure-drawing styles with a distinctly modern approach to color and composition.
An Inside Look at Brooklyn-Based Artist Juan Miguel Marin’s Meditative Process
The man behind the artwork for our releases of The Cremator, Man Push Cart, and Chop Shop talks with us about how his Ecuadorian roots and his love of performance inform his enigmatic images.
The Intricate Portraiture at the Heart of Our Mandabi Release
New York–based artist Ify Chiejina walks us through the multifaceted process of creating four new pieces inspired by Ousmane Sembène’s 1968 satire.
The Problem-Solving Artist Behind Our Amores perros Cover
Internationally renowned artist Pedro Reyes shares his inspirations for this new piece, including a Mexican stone carving and the poster for Jaws.
The Brush Behind the Film: How Painter Hélène Delmaire Created Our Portrait of a Lady on Fire Cover
The artist’s intensive collaboration with director Céline Sciamma yielded a wealth of preliminary studies that came in handy for the cover image of our edition.
Introducing First Person Illustrator Xia Gordon
To illustrate our new series of personal essays, we’ve turned to this New York–based artist, whose gift for distilling concepts and emotions into compelling imagery was a perfect match for this ongoing project.
A Dark Vision, in Paper Cutouts: Our Cremator Cover
The Brooklyn-based design studio La Moutique took the eerie, collage-style opening sequence of Juraj Herz’s film as inspiration for its wildly surrealistic cover design.
The Intricate Layers of The Cranes Are Flying, Captured in Collage
One of the designers behind our new edition of Mikhail Kalatozov’s masterpiece walks through the creative exploration that led to the final cover image.
Our Eye-Popping Tribute to Silver-Screen Magician Karel Zeman
The meticulously layered images in the Czech master’s fantasies inspired the pop-up artwork in our new Blu-ray release of Three Fantastic Journeys by Karel Zeman.
Danielle Mastrion Gives Spike Lee’s Masterpiece a Brooklyn-Style Tribute
To celebrate the thirtieth anniversary of Do the Right Thing, the Brooklyn-based artist painted a mural that served as the basis for the cover of our edition.
Combining elements of her own paintings with an improvisatory Photoshop process, artist Vivienne Flesher captured the grim beauty of Bruno Dumont’s cinema for our releases of La vie de Jésus and L’humanité.
How Sam Smith Finds Inspiration in the History of Poster Art
The longtime Criterion collaborator behind our covers for Japón, House, and Modern Times combines his love for film and design in his vividly colorful artwork.
Harnessing the Entropy of Diamonds of the Night in One Static Image
The artist Sterling Hundley details his multilayered approach to evoking the slipperiness of time and memory for the cover art of Jan Němec’s war film.
A Close-Up on Greg Ruth’s Genre-Infused Portraiture
The artist behind our covers for Notorious, Dragon Inn, and Moonrise shows us how he achieves the simple but hauntingly beautiful effects in his illustrations.