Criterion Designs

The Brooklyn-based artist behind the look of our edition of Jacques Rivette’s masterpiece reflects on her playful yet meticulous process.

The man behind the artwork for our releases of The Cremator, Man Push Cart, and Chop Shop talks with us about how his Ecuadorian roots and his love of performance inform his enigmatic images.

New York–based artist Ify Chiejina walks us through the multifaceted process of creating four new pieces inspired by Ousmane Sembène’s 1968 satire.

Internationally renowned artist Pedro Reyes shares his inspirations for this new piece, including a Mexican stone carving and the poster for Jaws.

The artist’s intensive collaboration with director Céline Sciamma yielded a wealth of preliminary studies that came in handy for the cover image of our edition.

To illustrate our new series of personal essays, we’ve turned to this New York–based artist, whose gift for distilling concepts and emotions into compelling imagery was a perfect match for this ongoing project.

The artist behind the images in our upcoming Bruce Lee box set shows us how he captured the legend’s most iconic poses.

The Brooklyn-based design studio La Moutique took the eerie, collage-style opening sequence of Juraj Herz’s film as inspiration for its wildly surrealistic cover design.

One of the designers behind our new edition of Mikhail Kalatozov’s masterpiece walks through the creative exploration that led to the final cover image.

The meticulously layered images in the Czech master’s fantasies inspired the pop-up artwork in our new Blu-ray release of Three Fantastic Journeys by Karel Zeman.

Art director Eric Skillman pays tribute to the beloved New York artist, whose work has been an integral part of Criterion for over a decade.

Known for his bold colors and humorous drawings, the Brooklyn-based artist took on the challenge of summoning a stark, ominous intensity for our covers of Wise Blood and Shallow Grave.

The Tokyo-born, New York–based illustrator takes us inside the process behind creating her eye-popping artwork for our Godzilla collector’s set.

To celebrate the thirtieth anniversary of Do the Right Thing, the Brooklyn-based artist painted a mural that served as the basis for the cover of our edition.

The veteran illustrator behind our covers for Jubal, 3:10 to Yuma, and A Night to Remember invites us inside his creative process.

Combining elements of her own paintings with an improvisatory Photoshop process, artist Vivienne Flesher captured the grim beauty of Bruno Dumont’s cinema for our releases of La vie de Jésus and L’humanité.

The longtime Criterion collaborator behind our covers for Japón, House, and Modern Times combines his love for film and design in his vividly colorful artwork.

The artist Sterling Hundley details his multilayered approach to evoking the slipperiness of time and memory for the cover art of Jan Němec’s war film.

The Atlanta-based artist Charly Palmer took on the challenge of distilling the intricacies of Charles Burnett’s family portrait into a single painting.

The artist behind our covers for Notorious, Dragon Inn, and Moonrise shows us how he achieves the simple but hauntingly beautiful effects in his illustrations.

The artist behind the cover of our Death in Venice edition lays out the painstaking process of creating a bronze-like sculpture out of plaster.

The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

Known for her lush and imaginative children’s-book illustrations, the artist got her dream assignment when we asked her to work on our edition of Rob Reiner’s beloved classic.

With her thick, flowing brushstrokes and eccentric sensibility, illustrator Ping Zhu captured the buoyant flavor of Juzo Itami’s “ramen western.”