The Current

A magazine of film culture past and present, with new articles, interviews, and videos published every day

Lucía: In Progress
Lucía: In Progress

Humberto Solás’s ambitious epic unites the imperatives of postrevolutionary Cuban cinema, capturing lived experience in a time of rapid change while also rescuing the past from distortion and amnesia.

By Dennis Lim

The Movie Miranda July Knows by Heart

Under the Influence

The Movie Miranda July Knows by Heart

When the Kajillionaire director saw sex, lies, and videotape as a teenager, she was transfixed by its exploration of desire mediated by technology, a theme that would later emerge in her own boundary-pushing work.

John Dwyer’s Closet Picks
John Dwyer’s Closet Picks

The underground rock veteran (and founding member of the band Osees, a.k.a. Thee Oh Sees or Oh Sees) stopped by our office to stock up on an eclectic mix of cinematic thrills.

Empty Theaters

First Person

Empty Theaters

The author of The Fortress of Solitude considers the meditative, “brain-rinsing” effects of the solo moviegoing experience.

By Jonathan Lethem

Christ Stopped at Eboli: Memories of Exile
Christ Stopped at Eboli: Memories of Exile

A monument of Italian literature, Carlo Levi’s novelistic memoir comes to the screen in a remarkably faithful adaptation that habituates viewers to close, attentive perception.

By Alexander Stille

All in the Game: An Interactive Homage to the Samurai Genre
All in the Game: An Interactive Homage to the Samurai Genre

The designers of the highly anticipated video game Ghost of Tsushima look back on the work and research that went into translating the influence of chanbara classics into their own medium.

By Tyson Kubota

Laughs That Hurt: Albert Brooks’s Uncomfortable Comedies
Laughs That Hurt: Albert Brooks’s Uncomfortable Comedies

Anxiety, panic, and chronic ambivalence course through the hilarious films of one of America’s most influential comedic voices.

By Ari Aster

Beau travail: A Cinema of Sensation
Beau travail: A Cinema of Sensation

Grafted together from a wide array of sources, Claire Denis’s most acclaimed film combines cerebral rigor, sensorial intensity, and a powerful meditation on masculinity and foreignness.

By Girish Shambu

Feeding the Appetites: Nan Goldin’s Movie Obsessions
Feeding the Appetites: Nan Goldin’s Movie Obsessions

In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.

By Hillary Weston

The Money Pit: Uttam Kumar in The Hero

Performances

The Money Pit: Uttam Kumar in The Hero

In the first of his two collaborations with Satyajit Ray, the Bengali superstar did not just rely on his image, he enriched it with a unique blend of charisma and craft.

By Mayukh Sen

Amy Seimetz’s Top 10
Amy Seimetz’s Top 10

The multitalented filmmaker behind Sun Don’t Shine (now playing on the Criterion Channel) and She Dies Tomorrow shares a list of favorites that subvert narrative convention and dive into the mysteries of identity.

The Brush Behind the Film: How Painter Hélène Delmaire Created Our Portrait of a Lady on Fire Cover
The Brush Behind the Film: How Painter Hélène Delmaire Created Our Portrait of a Lady on Fire Cover

The artist’s intensive collaboration with director Céline Sciamma yielded a wealth of preliminary studies that came in handy for the cover image of our edition.

By Benjamin Mercer

Video

Gian Galang Summons the Kinetic Energy of a Martial-Arts Icon
Inside Criterion  – 29 Jun 2020