The Current

A magazine of film culture past and present, with new articles, interviews, and videos published every day

Party Time in Fellini Land

Songbook

Party Time in Fellini Land

In La dolce vita, an upbeat tune by Nino Rota turns a dour party into a feast of ecstatic movement.

By Michael Joshua Rowin

10 Things I Learned: Scorsese Shorts
10 Things I Learned: Scorsese Shorts

The films showcased in our new collection of early works by Martin Scorsese are deeply influenced by the director’s life in New York City and the experiences of his family and friends.

By Susan Arosteguy

Tokyo Olympiad: The Wind Passing Through the Flagpoles
Tokyo Olympiad: The Wind Passing Through the Flagpoles

Kon Ichikawa aimed to show “the sweat” and “the pathos” of athletic ambition in this monumental documentary, the most extravagant Olympic film to date.

By James Quandt

Portrait of a Lady on Fire: Daring to See
Portrait of a Lady on Fire: Daring to See

Art becomes a tool for remaking one’s world in this unforgettable depiction of lesbian love, a film that director Céline Sciamma has called “a manifesto about the female gaze.”

By Ela Bittencourt

Sofia Bohdanowicz and Deragh Campbell’s Top 10
Sofia Bohdanowicz and Deragh Campbell’s Top 10

The directors of MS Slavic 7 pick a selection of favorite films that highlight what they find mysterious and exciting about the cinematic art form.

But I’m a Cheerleader Turns Twenty: Natasha Lyonne and Clea DuVall Reminisce on Their Cult Classic
But I’m a Cheerleader Turns Twenty: Natasha Lyonne and Clea DuVall Reminisce on Their Cult Classic

The stars of Jamie Babbit’s conversion-therapy comedy talk about their on-screen chemistry and their decades-long friendship.

By Hillary Weston

The Cameraman: Man with a Movie Camera
The Cameraman: Man with a Movie Camera

Buster Keaton struggled with higher-ups at MGM while making his last great film, which the studio would later hold up as a model of a perfectly constructed comedy.

By Imogen Sara Smith

Alberto Sordi: Italian Storyteller
Alberto Sordi: Italian Storyteller

In celebration of his hundredth birthday, we look back on the legacy of the extraordinarily prolific icon of Italian cinema, whose unmatched rapport with audiences stretched across a six-decade career.

By Pasquale Iannone

Turn the Gaze Around
Turn the Gaze Around

A racist, traditionally desexualized archetype from classic Hollywood gets queered and eroticized in Cheryl Dunye’s indie landmark The Watermelon Woman, now playing on the Criterion Channel.

By Michael Koresky

A Romance with the Screen: Theater Legend Adrienne Kennedy Looks Back
A Romance with the Screen: Theater Legend Adrienne Kennedy Looks Back

One of the American theater’s most visionary figures opens up about her lifelong love affair with the movies and the influence cinema has had on her art.

By Thomas Beard

An Unmarried Woman: The Business of Being a Woman
An Unmarried Woman: The Business of Being a Woman

Paul Mazursky’s candid tale of self-discovery reflects feminist politics of the 1970s while also hearkening back to the glories of classic Hollywood women’s pictures.

By Angelica Jade Bastién

Mother Lode: Chantal Akerman’s Maternal Portraiture
Mother Lode: Chantal Akerman’s Maternal Portraiture

The legendary Belgian-born filmmaker sought to break free from the strictures and conventions of cinematic portraiture, a career-long project that brought her relationship with her mother into focus.

By Michelle Orange

Video

Illustrator Josh Cochran Taps into His Dark Side
Inside Criterion  – 22 Jan 2020