Spotlight
One Scene
In this series of articles, some of our favorite writers and filmmakers highlight key moments in cinema that continue to haunt them long after the credits roll.
The Current
A magazine of film culture past and present, with new articles, interviews, and videos published every day
The Daily
When We Were Kings: Ready to Fight
Drawn from a treasure trove of footage, this Oscar-winning documentary explores a watershed moment for one of the world’s greatest athletes—an international spectacle that revealed the complexities of black identity.
A Cantopop Dream Girl’s First Film Reverie
Hong Kong pop icon Faye Wong made her screen breakthrough in Wong Kar-wai’s Chungking Express, a film that also features her hypnotic cover version of the Cranberries’ hit “Dreams.”
A Great American Interrogator
Errol Morris’s relentless pursuit of truth—and understanding of its fundamental elusiveness—has made him one of the most important American documentary filmmakers.
A Beacon of Movie Love in Tucson
Born in 1972, the Loft Cinema is a vital cultural hub that brings an eclectic array of movies and live events to a diverse local audience.
The Silent Gaze in Satyajit Ray’s Almost-Love Story
In one of his most underrated gems, now playing on the Criterion Channel, the Bengali master explored the futility of words and the power of a look.
Häxan: “Let Her Suffering Begin”
Decades before the witch became a staple of horror cinema, Benjamin Christensen used this gothic figure to explore the oppression of women in different historical periods.
Häxan: The Real Unreal
Integrating fact, fiction, objective reality, hallucination, and different levels of representation, this silent masterpiece invented what decades later would be known as the essay film.
On the Waterfront
Pessimism, melancholy, and corruption come in with the tide in the greatest seaside noirs, including classics by Josef von Sternberg, Ingmar Bergman, and Marcel Carné.
Consuming the Cat: Brenda Lien Calls Out an Internet Fetish
In a short film now featured on the Criterion Channel, the German filmmaker interrogates our insatiable appetite for feline memes and what it says about our consumerist culture.
The Art of Lighting a Comedic Thriller
In the latest episode of Observations on Film Art, Professor Kristin Thompson explores how Ernst Lubitsch’s satirical masterpiece To Be or Not to Be employs a venerable cinematographic technique: three-point lighting.
Without Motive: The Last Scene in High and Low
The director of Audition and First Love dives into the haunting moral ambiguity of Akira Kurosawa’s crime masterpiece.
This Pretty World: The Films of Val Lewton
In their stillness and melancholy, the B-movie masterpieces of one of Hollywood’s most ingenious producers pushed against the official optimism of American culture during World War II.
