The Daily

The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.

The winner of the top prize in San Sebastián, Serra’s first nonfiction feature screens at the New York Film Festival.

The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.

Showered with accolades, loved, admired, and feared, Smith was one of the most accomplished stars of the stage and screen.

The times call for revisiting work by Robert Bresson, John Ford, Shu Lea Cheang, Brian De Palma, and Robert Towne.

Steeped in Catholic guilt and erotic tension, Guiraudie’s eighth feature draws comparisons with Pasolini’s Teorema.

A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.

Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.

Anniversary screenings of The Babadook, Ed Wood, and The Texas Chain Saw Massacre are among this year’s highlights.

Catching up with Todd Solondz, missing Maggie Cheung, and wrapping up the summer of 2024.

Early reviews of the adaptation of a William S. Burroughs novel starring Daniel Craig run hot and cold.

We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.

Ready or not, the win for Mike Flanagan’s Stephen King adaptation kicks off this year’s awards season.

Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”

Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.

Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).

A commanding presence on the stage and on movie and television screens, Jones could perform wonders with that voice.

Venice award-winners also include Brady Corbet, Nicole Kidman, Maura Delpero, and Dea Kulumbegashvili.

Alex Cox discusses his first and next films, Warhol rarities screen in New York, and a courtroom drama revisits the culture wars of 1970s France.

Homegrown cinema makes a strong showing this year with new films from Sofia Bohdanowicz, Kazik Radwanski, and David Cronenberg.

The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.

New York’s Metrograph showcases work by the renowned cinematographer with a special focus on his collaborations with Hou Hsiao-hsien.

The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.

Martin Scorsese and Edgar Wright discuss overlooked British films and cinematographer Mark Lee Ping-bing talks about working with Hou Hsiao-hsien.