Interviews

Cannes 2019

Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.

Cannes 2019

Legendary activist filmmaker Fernando Solanas joins his son and daughter in Cannes for their latest project, a chronicle of the long, hard fight for abortion rights in Argentina.

With her first three films now playing on the Criterion Channel, the acclaimed British director digs back into the past to trace the roots of her cinephilia and artistry.

With a new film in theaters and two early works on the Criterion Channel, the Chinese wunderkind talks with us about the challenges he’s faced while forging his idiosyncratic path through cinema.

On the occasion of the premiere of his new film, Peterloo, we talked with the British master about what keeps him going as an artist and what he enjoys most about his idiosyncratic process.

The filmmaker Katja Raganelli talks with us about what it was like to create an intimate portrait of the Wanda director toward the end of her life.

The director of Black Mother explains how the twin influences of hip-hop culture and international art-house cinema brought him to his artistic calling.

Who gets to be groomed for a career in the French film industry? Claire Simon’s The Competition takes a look at the grueling admissions process at the country’s most prestigious film school.

In the wake of Burning, one of the most critically acclaimed films of last year, we caught up with the great Korean director about what keeps him going as a storyteller.

The award-winning director of Shirkers looks back on her memories of growing up as a rebellious teenage cinephile and the movie-besotted culture of her native Singapore.

In quietly simmering dramas that depict solitary characters on the margins of society, German director Christian Petzold brings the ghosts of history into conversation with modern life.

New Hollywood rebel Hal Ashby takes the spotlight in a new documentary by director Amy Scott, who talks with us about the deep allure of his humanist sensibility.

At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.

The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.

The veteran actor shares lessons she’s learned from working with some of the world’s greatest filmmakers.

Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.

Just before the release of her new film You Were Never Really Here, Lynne Ramsay spoke with us about her early moviegoing life in Glasgow, the version of herself that emerges on set, and the mind-expanding power of chess.

In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.

With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.

A key collaborator on Michael Ritchie’s Downhill Racer and the creator of two Olympic films, Joe Jay Jalbert chats with us about the art of capturing skiing on-screen.

The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

While he was in town with Call Me by Your Name at the New York Film Festival in October, Luca Guadagnino stopped by our office to talk about inspirations, style, and dancing.

Norwegian director Joachim Trier talks about how Louis Malle’s 1963 masterpiece The Fire Within inspired his sophomore feature Oslo, August 31st.

The shower scene in Psycho remains one of the most iconic scenes in film history. Alexandre O. Philippe, director of the new documentary 78/52,explains why it touched a nerve with audiences.