Interviews

How do you tell a story that seems to be over? The director of Marriage Story talks with us about the craft that goes into building a shared history and intimacy between characters whose relationship is already fractured.

The director behind such audaciously stylized fantasias as The Duke of Burgundy and In Fabric looks back on his formative experiences at repertory movie theaters and department stores.

A thought-provoking experiment in cinematic form, the new film by Michael Koresky, Jeff Reichert, and Farihah Zaman meditates on the power of food and community through an innovative mix of truth and fiction.

One of the most sought-after composers in film and television opens up about his genre-defying sound and his deeply collaborative relationships with directors.

In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Unapologetic sexuality, comedic brilliance, fiery conviction: the Emmy-nominated actor talks about the qualities that distinguish one of classic Hollywood’s most audacious stars.

With his eccentric new zombie movie The Dead Don’t Die coming to theaters, Jim Jarmusch talks with us about the inspiration he drew from the late horror maestro’s postmodern, politically tinged approach to genre.

With her films now streaming on the Criterion Channel, the director of The Love Witch gives us an in-depth look at her extravagantly detailed, meticulously controlled visual style.

Cannes 2019

Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.

Cannes 2019

Legendary activist filmmaker Fernando Solanas joins his son and daughter in Cannes for their latest project, a chronicle of the long, hard fight for abortion rights in Argentina.

With her first three films now playing on the Criterion Channel, the acclaimed British director digs back into the past to trace the roots of her cinephilia and artistry.

With a new film in theaters and two early works on the Criterion Channel, the Chinese wunderkind talks with us about the challenges he’s faced while forging his idiosyncratic path through cinema.

On the occasion of the premiere of his new film, Peterloo, we talked with the British master about what keeps him going as an artist and what he enjoys most about his idiosyncratic process.

The filmmaker Katja Raganelli talks with us about what it was like to create an intimate portrait of the Wanda director toward the end of her life.

The director of Black Mother explains how the twin influences of hip-hop culture and international art-house cinema brought him to his artistic calling.

Who gets to be groomed for a career in the French film industry? Claire Simon’s The Competition takes a look at the grueling admissions process at the country’s most prestigious film school.

In the wake of Burning, one of the most critically acclaimed films of last year, we caught up with the great Korean director about what keeps him going as a storyteller.

The award-winning director of Shirkers looks back on her memories of growing up as a rebellious teenage cinephile and the movie-besotted culture of her native Singapore.

In quietly simmering dramas that depict solitary characters on the margins of society, German director Christian Petzold brings the ghosts of history into conversation with modern life.

New Hollywood rebel Hal Ashby takes the spotlight in a new documentary by director Amy Scott, who talks with us about the deep allure of his humanist sensibility.

At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.

The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.

The veteran actor shares lessons she’s learned from working with some of the world’s greatest filmmakers.

Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.