10 Things I Learned: Visions of Eight
The producer of our edition of this ambitious omnibus film about the 1972 Munich Olympic Games details how its dynamic group of international directors came to be involved with the project.
10 Things I Learned: Memories of Murder
The producer of our edition of this unnerving procedural shares details about director Bong Joon Ho’s approach to visual style, his commitment to verisimilitude, and the lengths to which actor Kim Sang Kyung went in order to portray his character.
10 Things I Learned: Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
This portrait of the legendary singer-songwriter on tour in 1975 was nearly a decade in the making. The producer of our just-released edition takes a close look at the special period in Dylan’s career that the film captures.
10 Things I Learned: The Gunfighter
The producer of our edition of Henry King’s brooding western shares interesting facts he uncovered about the veteran director’s career, the origin of the film’s protagonist, and a Bob Dylan song inspired by its story line.
10 Things I Learned: Town Bloody Hall
The producer of our edition of Chris Hegedus and D. A. Pennebaker’s landmark documentary shares what she learned about the galvanizing figures at the center of the film.
10 Things I Learned: The War of the Worlds
As Criterion producer Karen Stetler learned while working on our new edition, this adaptation of H. G. Wells’s sci-fi novel was a career milestone for a wide range of talent, from director Byron Haskin to feline performer Orangey.
10 Things I Learned: Scorsese Shorts
The films showcased in our new collection of early works by Martin Scorsese are deeply influenced by the director’s life in New York City and the experiences of his family and friends.
The Grand Budapest Hotel Lobby Travels Back in Time
Watch the lovingly crafted setting of Wes Anderson’s The Grand Budapest Hotel transform from its faded glory in the 1960s to its peak opulence in the 1930s.
10 Things I Learned: Leave Her to Heaven
Criterion producer Jason Altman shares how John M. Stahl’s masterpiece broke new ground upon its release in 1945, becoming what many consider the first Technicolor film noir as well as Twentieth Century-Fox’s biggest hit of the decade.
10 Things I Learned: Local Hero
In the process of researching Bill Forsyth’s culture-clash comedy, producer Kate Elmore found out just how many ardent fans it has—including one legend of British cinema and one former U.S. vice president.
A Whiff of Polyester: Inside the Odorama Process
The legendary scratch-and-sniff cards that made John Waters’ movie a unique olfactory experience are featured in our new edition of the film. Take a look at how they got made!
10 Things I Learned: One Sings, the Other Doesn’t
The producer of our edition of Agnès Varda’s feminist musical explores the film’s roots in the women’s movement and how the director achieved its warm, playful tone.
10 Things I Learned: Mikey and Nicky
Though it’s taken time for critics and audiences to catch up with it, Elaine May’s gangster film is now widely recognized as one of her most uncompromising explorations of human relationships.
10 Things I Learned: Memories of Underdevelopment
The producers behind our edition of Tomás Gutiérrez Alea’s masterpiece share stories they discovered from researching the film and the turbulent political climate that inspired it.
10 Things I Learned: The Color of Pomegranates
Did you know director Sergei Parajanov also created many of the costumes for this visually spectacular masterpiece? Producer Curtis Tsui digs into this and other fascinating facts about the making of the long-hard-to-see film.