Japón: On Seeing Ourselves Seeing
At a time when Mexican audiences were taught to equate good cinema with foreign cinema, Carlos Reygadas heralded the arrival of something new with his audaciously poetic first feature.
I Wanna Hold Your Hand: All Perfectly Normal
Kicking off a career that would go on to explore the mysteries of pop culture, Robert Zemeckis’s first feature revisits the weekend the Beatles set youth culture ablaze with their American debut.
Some Detours to Detour
Obsessed with Edgar G. Ulmer’s B-movie masterpiece from the first time he saw it, writer Robert Polito dives deep into the past to unravel the mysteries surrounding a film that almost never existed.
The Kid Brother: Mettle Is Stronger than Muscle
There was more to Harold Lloyd than laughter. In one of his best movies, the silent-film legend deftly balanced elements of action and romance with his signature slapstick set pieces.
To Sleep with Anger: You Never Know What’s in the Heart
Steeped in African American folklore, this sublime family portrait finds Charles Burnett departing from the naturalism of his early films and embracing elements of magic realism.
La vérité: Women on Trial
Brigitte Bardot delivers her greatest performance in what would be Henri-Georges Clouzot’s final masterpiece, a stinging indictment of a justice system run by a moralistic patriarchy.
Shame: Twilight of the Humans
In 1968, Ingmar Bergman channeled his anguish over the legacy of World War II and the escalating brutality in Vietnam into the most fiercely political film of his career.
In the Heat of the Night: The Double Bind
Both a landmark film of the civil rights era and a complicated artifact of white liberalism, Norman Jewison’s Oscar-winning crime drama remains a powerful vision of racial tension and intimacy.
4 Months, 3 Weeks and 2 Days: Late Term
One of the crowning achievements of the New Romanian Cinema, Cristian Mungiu’s Palme d’Or winner combines rigorous realism with breathtaking suspense in its account of women’s oppression during the era of Ceaușescu.
Mikey and Nicky: Difficult Men
In her long-unsung masterpiece, Elaine May takes an unflinching, darkly comic look at the forces of toxic masculinity that play out in an eroding friendship between two mobsters.
24 Frames: The World Made Visible
After years of paring his filmmaking down to the bare essentials, Abbas Kiarostami delivered this gorgeous and boldly minimalist meditation on time, movement, and image-making.
Panique: Panic Attack
Upon returning to France after a period of self-exile in Hollywood, Julien Duvivier adapted a Georges Simenon novel into this noirish critique of the dangers of mob mentality during wartime.
A Dry White Season: Justice Against the Law
Director Euzhan Palcy put herself at personal risk to make this powerful indictment of racism in South Africa, released at the climax of the anti-apartheid movement.
Loving the Ruins; or, Does The Magnificent Ambersons Exist?
The holiest of holies for lovers of ruined and neglected cinema, Orson Welles’s 1942 masterpiece haunts us with its voids and absences, which echo its tale of a family’s destruction.