David Hudson

Barry Jenkins interviews Charles Burnett, Céline Sciamma discusses Chantal Akerman—and more.

At eighty-two, the director has made his most deeply personal film yet.

The two Cannes sidebars select films by Christian Petzold, Robin Campillo, Eva Victor, and Sophie Letourneur.

This year’s edition features Laura Wandel’s follow-up to Playground and the first feature from Sean Baker collaborator Shih-Ching Tsou.

The director of Wake in Fright and The Apprenticeship of Duddy Kravitz was ninety-four.

We’re paging through the new Millennium Film Journal and reading elsewhere about William S. Burroughs, Pauline Kael, and John Ford.

The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.

Agnès Varda’s work as an artist, photographer, and filmmaker is celebrated in Paris, Amsterdam, and Rodez.

Children are the focus of several of the films in this year’s showcase of emerging filmmakers.

He played Iceman, Jim Morrison, Doc Holliday, and even Batman as no one else would or could have.

Henry Fonda and Shinji Somai headline a week that also brings new issues of frieze and the Brooklyn Rail.

The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Steeped in theater history, Shinoda infused centuries-old tales with twentieth-century dynamism.

The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

Ten newly restored features screen for a week in New York starting Friday.

The Cinémathèque presents six shady tales from the 1970s.

A series coprogrammed by Bonjour Tristesse director Durga Chew-Bose “celebrates the beauty and myth of the Riviera.”

Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”

The festival’s twenty-fifth edition offers a five-day binge of midnight movies.

Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.

Spend the weekend with Buñuel, Pasolini, Sarah Maldoror, Todd Solondz, and Pedro Almodóvar.

Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.

New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.

The Museum of the Moving Image’s annual showcase of “adventurous new cinema” is on from Wednesday through Sunday.