On Film

Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.

Some read Thomson’s new book as an attack on cinema; others argue that they’re missing the point.

Names on our minds this week: Mike Mills, Jean Renoir, Ronee Blakley, and Luchino Visconti.

September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.

This year’s Gala and Special Presentations will include new work from Tim Blake Nelson, Takashi Miike, Wayne Wang, and Anton Corbijn.

The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

In his fiction features Beginners, 20th Century Women, and C’mon C’mon, the acclaimed director casts a sensitive gaze on the rich psychodynamics of human relationships and the hidden interconnections of our unconscious motivations.

New restorations of the first three features premiere this weekend, followed by a retrospective next month.

In one of his greatest performances, the celebrated actor shows off his range by fusing the two modes that defined his career: the misanthropic provocateur and the soulful survivor-witness.

In his second feature film, Nagisa Oshima explores the alienation of young Japanese people and their doomed attempts to assert themselves in a corrupt and increasingly conservative society.

The tenth-anniversary edition of Bristol’s festival offers restorations, walks, workshops, games, and a free interactive exhibition.

This week brings conversations with Jeffrey Wright, John Woo, and the members of three cinema collectives.

Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.

Marking the publication of Rohmer’s only novel, Élisabeth, the Six Moral Tales cycle is revived in four U.S. cities.

A career-altering artistic breakthrough for director Martin Ritt, this dark tale of a family’s downfall daringly exposes the mythology of the western hero as empty and morally bankrupt.

News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.

Made in close collaboration with its star, Ellen Burstyn, Martin Scorsese’s first film for a major studio is a warm, openhearted portrait of a woman who endeavors a drastic reshaping of her life.

Though it became the subject of cultural hysteria upon its release in 1992, Neil Jordan’s film can be appreciated today as a rare and remarkably nuanced depiction of a cisgender man and a trans woman falling in love.

Neil Jordan achieved major international success with this complex exploration of identity and desire set against the turbulence of the Troubles in Northern Ireland.

Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.

We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.

A characteristically rebellious work from the Czechoslovak New Wave pioneer, Wolf’s Hole explores the perilous absurdities of groupthink through the story of eleven youths held captive at a skiing retreat.

Around five hundred films—restorations, revivals, rediscoveries—screened last month in Bologna.

New York’s Japan Society throws a spotlight on Suzu Hirose and Hirokazu Kore-eda.