Restoring Merrily We Go to Hell, One Warp at a Time
A member of Criterion’s team of digital-restoration artists details how he tackled the biggest challenge he faced while working on Dorothy Arzner’s 1932 film.
An Indonesian Classic in a New Light: A Conversation on the Landmark Restoration of After the Curfew
Two key figures in the pathbreaking project, Lisabona Rahman and Lintang Gitomartoyo, discuss its significance for Indonesian cinema, the challenges they faced while working on it, and the legacy of the film’s director, Usmar Ismail.
Remembering Giuseppe Rotunno, a Gentle Maestro
Criterion’s technical director pays tribute to the late, great cinematographer, who worked in both Italy and the U.S., and whose brilliant eye and warm personality were well known in the film world.
The Lady Eve’s Long Road to High Definition
Preston Sturges’s screwball masterpiece is one of the most beloved Hollywood comedies of all time, but a lack of good film materials held up our recently released Blu-ray upgrade for years.
The Final-Hour Preservation of Dance, Girl, Dance in Nitrate
Our plans to release Dorothy Arzner’s feminist classic set in motion a restoration process that led Warner Bros. to discover a nitrate negative that had begun to deteriorate in storage.
Veteran archivist Ross Lipman untangles the complexities of restoring Barbara Loden’s film, from questions surrounding the tonal quality of its images to the mysteries of its aspect ratio.
Diving into the Nitty-Gritty of Film Conservation in Kolkata
Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
A New Restoration Brings Detour Back to the Big Screen
Long available only in substandard public-domain prints, Edgar G. Ulmer’s noir masterpiece looks better than ever in the new restoration opening at New York’s Film Forum this week.
A Preservationist’s Puzzle: Restoring The Front Page
When the Academy Film Archive embarked on a new restoration of The Front Page, preservationists stumbled onto a mystery regarding the existing prints of the film.
Cleaning Up A Brighter Summer Day
Following an arduous restoration effort that involved broken scanners, missing reels, and the complicated transfer of materials between Taipei, Bologna, and New York, Edward Yang’s 1991 epic film is finally available in a high-quality viewing forma…