The Daily

As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.

Park Chan-wook and Don McKellar’s adaptation of Viet Thanh Nguyen’s novel stars Hoa Xuande and Robert Downey Jr.

Two programs running parallel to Cannes announce a diverse array of world premieres.

Eleven first and second features are slated to premiere, seven of them in competition.

Names in the news this week: Alain Delon, John Akomfrah, Francis Ford Coppola, Vera Drew, Charles Burnett, and Miles Davis.

Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Oksana Karpovych’s second feature juxtaposes images of a ravaged Ukraine with the voices of Russian soldiers.

This year’s edition features a rediscovered short starring Clara Bow, a precursor to the folk horror craze, and a whole lot of gags from Harold Lloyd.

In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.

ND/NF introduces New Yorkers to two family dramas, a Bulgarian thriller, and a Russian road movie.

Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.

This year’s edition is bookended by two very New York movies.

The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.

The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.

Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.

The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.

Retrospectives in London and Hong Kong and a screening in Ghent are devoted to the work of the Spanish director.

This week we’re revisiting two classic video essays and reading about great bio-pics, Med Hondo, and Haitian cinema.

Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).

BUFF’s twenty-fourth edition offers plenty of scares and local talent.

The Cinémathèque presents three double features, and all six films star “noir seductress nonpareil” Gloria Grahame.

It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.

Brussels celebrates Chantal Akerman, Hirokazu Kore-eda remembers Ryuichi Sakamoto, and there are some intriguing projects in the works.