Did You See This?

We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

This week: An appreciation of Marilyn Monroe, a conversation with Karim Aïnouz, and a preview of the year’s scariest season.

It’s been a week overshadowed by loss, but here are a few of the brighter highlights.

Spend the holiday weekend with Hugo Fregonese, Serge Daney, Bertolt Brecht, Michael Schultz, and Todd Haynes.

Louise Brooks, Marguerite Duras, Lucrecia Martel, and Jacquelyn Mills headline this week’s roundup.

Věra Chytilová, Lodge Kerrigan, and the first zombies are back in theaters; plus, a tour of installations by Agnès Varda.

The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.

We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.

We head back to the 1940s in Los Angeles, the 1960s in New York and Paris, and to every summer you remember.

Films by Jordon Peele, Ethan Hawke, and Lucile Hadžihalilović arrive along with a series tracing the path of the Method.

This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”

Wim Wenders, Alice Diop, Pedro Almodóvar, and the Cinémathèque française feature in this week’s picks.

This week sees new issues of film and literary journals as well as great writing on Stanley Kwan, Hong Sangsoo, and Claire Denis.

This week: Surrealism and cinema, a Cold War “travesty,” talking about Bruno, and walking in Hong Kong.

This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.

Along with a fresh round of new issues from film journals, we’re reading about Mike Leigh, Juliet Berto, Julie Dash, and Clint Eastwood.

It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.

This week: Tarkovsky’s answer to Kubrick, the Otolith Group, Brooklyn filmmakers, German scenes, and Béatrice Dalle.

This week swerves from the slick cinéma du look to the harshest punk noise.

Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.

This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.

This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.