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This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.

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Besides Abbas Kiarostami, Rebecca Hall, and Djibril Diop Mambéty, we’re also reading about TikTok and the greatest movie endings ever.

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This week’s round takes us from Italy in the 1950s and ’60s to America in the ’70s and Hong Kong in the ’90s.

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This week we’re revisiting Tarkovsky, catching up with Shelley Duvall, and listening to Edgar Wright and Quentin Tarantino talk movies.

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This week we’re reading Nick Pinkerton on Fassbinder’s problems with Chabrol and revisiting films by Marguerite Duras, Lizzie Borden, and Béla Tarr.

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This week sees a new publication, a revived column, and countless hours of conversations about movies.

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List-topping westerns, color-drenched musicals, and rule-breaking documentaries are in the news this week.

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This week we’re reading Greg Tate on MLK/FBI, Ian Christie on the decadence of early British cinema, and Reverse Shot’s 2020 top ten.

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A new Cinema Scope is out, along with the first issue of Screening the Past in well over a year.

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From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.

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A new Film Quarterly, a Reverse Shot symposium, and the return of Artavazd Pelechian are among this week’s highlights.

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A landmark week for the industry has us looking back to past periods of tumult and change.

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A talk with Claudia Weill, a new issue of Cineaste, and an appreciation of playback singer Asha Bhosle are among this week’s highlights.

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Garrett Bradley, David Fincher, Hayao Miyazaki, George Clooney, Jim Jarmusch, and RZA bring us this week’s highlights.

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We’re keeping busy with online festivals, awards nominations, remembrances, and plenty of weekend reading.

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A new restoration of Joyce Chopra’s Smooth Talk, the return of Sophia Loren, supercops in the 1970s, and Costa-Gavras’s Z are on our minds this week.

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How fitting it is that the season for scary viewing arrives as we teeter on the cusp of a historical moment.

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A new Senses of Cinema, free access to the NYRB archive, and the return of drive-in theaters are among this week’s highlights.

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This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.

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This week we’re revisiting Irma Vep, more than a century of animation, and the work of Jean-Luc Godard and Michael Snow.

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This wild week we’re celebrating William Greaves, watching Denis Lavant dance, and listening to Léonce-Henry Burel’s juicy stories about Robert Bresson.

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This week there’s a new Film Quarterly and a new frieze and fresh conversations with Jan Oxenberg and Paul Cronin.

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The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.

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On our minds this week: New Taiwan Cinema of the 1980s, Black cinema’s “paradoxical role in American cultural history,” the new Brooklyn Rail, and more.