Trick or Truth
By :: kogonada
Repertory Pick: Horror, Dreyer-Style
Jacques Tati, Historian
By Kristin Ross
La dolce vita Around the World
The Vanishing: The End of the Road
By Scott Foundas
These book and magazine covers all appear in Wes Anderson’s tale of an extended family with literary distinction (and, in one case, athletic infamy).
By Matt Kozovski August 10, 201203:40 PM
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“1. The cinematography - locations, angles of view, cropping and B&W. 2. Purposeful, methodical, reasoned pacing. 3. Even though history has told us the ending, a well presented . . .”
David on Three Reasons: My Darling Clementine, about 1 hour ago.
“This is really a wonderful text, and it has, at the same time, Volker's total professionality and his almost mythical modesty. Furthermore, the text is a historical precis of an epoch in which . . .”
Gideon Bachmann on A Conversation with Volker Schlöndorff, about 5 hours ago.
“Just incredible how robust the set looks versus the gorgoeosness of the final shot... amazed”
Johan van Huyssteen on Trick or Truth, about 6 hours ago.
“Good to know that Gideon's VOX HUMANA - THE VOICE BANK project exhibits some of its content in public editions now. Hope that VOX HUMANA - THE VOICE BANK evolves.”
Joachim Polzer on Marcello Mastroianni on Fellini, about 14 hours ago.
“At last, someone's finally elucidated the work's complex structure (instead of lazily dismissing it as a spineless mass of hallucinatory images and portentous themes), at the same time proving . . .”
John on La dolce vita: Tuxedos at Dawn, about 17 hours ago.
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