10 Things I Learned: Heaven’s Gate
By Curtis Tsui
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Director Michael Cimino was researching the history of barbed wire in the West when he came across the real-life tragedy that would provide the basis for his screenplay for Heaven’s Gate (the cover of which is shown here): the bloody 1892 Wyoming range war known as the Johnson County War.
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Cimino’s two favorite living directors are Roman Polanski and Bernardo Bertolucci.
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While working on the film, the actors trained daily in such skills as riding and shooting. Responsible for their education was the genuine cowboy and western authority Allen Keller, who appears in the film as the mercenary who guns down the station manager.
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Cimino based the design for every costume, building, and object in the film—including the Roman-inspired “go devil” rigs used in the final battle scene—on historical photographs.
Photo courtesy of the Johnson County Jim Gatchell Memorial.
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Cimino had all of his cast members playing bordello denizens (including Isabelle Huppert) live in an Idaho whorehouse for a week, so that they could observe the day-to-day existence of real working girls.
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The bulk of Heaven’s Gate’s richly textured, melodic score—and that means practically every instrument you hear—is performed by one man, the immensely gifted musician David Mansfield, who also appears on-screen as John DeCory.
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Mansfield’s father is also on the soundtrack. Newton Mansfield is a longtime violinist with the New York Philharmonic, whose performance of “The Blue Danube” can be heard during the graduation dance sequence.
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Doubtless many already know this, but I can now say it with personal authority: Kris Kristofferson is one of the nicest, most warmhearted, and most intelligent folks on the face of the planet.
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Kristofferson credits his fellow actor Christopher Walken with advising him to always trust Cimino’s direction, no matter how difficult or demanding the shoot became, and says that that trust never wavered.
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The photo used for the original Heaven’s Gate poster was taken by producer Joann Carelli, and at one time featured Cimino standing beside Kristofferson. The director was airbrushed out of the image for the poster.
Curtis Tsui is a producer at the Criterion Collection.
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Director Michael Cimino was researching the history of barbed wire in the West when he came across the real-life tragedy that would provide the basis for his screenplay for Heaven’s Gate (the cover of which is shown here): the bloody 1892 Wyoming range war known as the Johnson County War.
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