10 Things I Learned: Harold and Maude
By Curtis Tsui
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When Harold and Maude writer Colin Higgins (pictured) was having a hot tub and deck built for his backyard, he hired a young carpenter to do it. That carpenter was Harrison Ford.
Photo courtesy of the Colin Higgins Trust
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Actress Suzanne Somers was originally to appear in the film, in a scene involving a commercial for underarm deodorant that was set in a cemetery, but the sequence was cut.
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Director Hal Ashby was initially considering only grand dames of British acting like Edith Evans and Peggy Ashcroft for the part of Maude, but once he met Ruth Gordon, he was convinced she was right for the part.
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A Harold “suicide” that was filmed but eventually edited from the movie involved the young man’s attempt to shock his mother with a replica of his severed head on a platter and a headless corpse dummy in a chair.
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That dummy Harold ended up being a lifesaver, however, when the swimming pool scene was shot. After repeated takes, actor Bud Cort realized that, because the water was so frigid, the only way to pull off the shot was to use the fake.
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In the scene featuring Harold and Maude riding off on a policeman’s motorcycle, Cort actually bashed himself on the head with the edge of the shovel, sustaining a nasty cut. But as the unbroken shot in the film attests, he was a total pro and never broke character while the camera rolled.
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Shari Summers, who plays computer date number two, Edith Phern, in the film, found real-life true love during the movie: she married producer Charles B. Mulvehill.
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For the hookah scene, director Hal Ashby required the pipe to be kept burning between takes so it’d be ready for the next shot. That task fell to production assistant Jeff Wexler, the son of ace cinematographer Haskell Wexler.
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Harold and Maude was initially a much bigger hit in France than the U.S.—so much so that it was adapted for the theater in French by Higgins himself, and productions of the play have flourished there since the seventies, including one directed by Children of Paradise star Jean-Louis Barrault (pictured here with Higgins).
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The penultimate sequence, with Maude in the hospital, was originally much longer and filled with dialogue, but in postproduction, Ashby (himself an Oscar-winning editor, for In the Heat of the Night) and editors William A. Sawyer and Edward Warschilka decided to structure it as a montage and set it to Cat Stevens’s “Trouble,” thereby creating a truly classic scene in American cinema.
Curtis Tsui is a producer at the Criterion Collection.
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When Harold and Maude writer Colin Higgins (pictured) was having a hot tub and deck built for his backyard, he hired a young carpenter to do it. That carpenter was Harrison Ford.
Photo courtesy of the Colin Higgins Trust
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