Last year, Criterion was proud to welcome Euzhan Palcy into the Collection, as we released her remarkable 1989 film A Dry White Season, an unflinching indictment of South African apartheid. During a visit to our office while work on the edition was underway, Palcy took the opportunity to duck into our closet, where the trailblazing Martinican—the first black woman to direct a Hollywood studio movie—paid tribute to some of the films and filmmakers nearest and dearest to her. After planting a kiss on the cover of our Trilogía de Guillermo del Toro, Palcy picked up The 400 Blows, leading her to share some moving personal reminiscences of François Truffaut, who offered Palcy invaluable advice on the script for what would become her first film, Sugar Cane Alley. She went on to marvel at the storytelling of Alfred Hitchcock, the spare beauty of Kaneto Shindo’s The Naked Island, and the film that, more than any other, encouraged her to become a filmmaker: Marcel Camus’s Black Orpheus. For her amazing recollections of seeing the film for the first time as a young girl in the Caribbean—where audiences clamored to see its black actors on the screen—watch to the end of the video above.
John Sayles’s Closet Picks
During the production of our release of Matewan, the first Sayles film in the collection, the director paid us a visit and talked about some of his formative moviegoing experiences.
Kim Cattrall’s Closet Picks
On a recent visit, the award-winning Sex and the City star chatted with us about falling in love with movies as a child and the Hollywood and art-house classics that have been her personal touchstones.
Jacqueline Novak and John Early’s Closet Picks
Shortly before the critically acclaimed success of their off-Broadway show Get on Your Knees, the two comedians stopped by for a few good laughs in our closet.