Trick or Truth
By :: kogonada
Repertory Pick: Horror, Dreyer-Style
Jacques Tati, Historian
By Kristin Ross
La dolce vita Around the World
The Vanishing: The End of the Road
By Scott Foundas
Wim Wenders (Wings of Desire; Paris, Texas) stopped by the Criterion office and took a stroll through the product closet. Check out what he picked, and listen to an anecdote about running into Nagisa Oshima in the most unlikely of places.
Pier Paolo Pasolini
By Charles Deckert January 17, 201202:48 PM
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By eddie berlin January 17, 201204:56 PM
By Matt January 17, 201205:34 PM
By Nate Sutton January 17, 201208:46 PM
By Ahmed Khawaja January 18, 201211:33 AM
By Mark R. Young January 19, 201208:14 PM
“This is really a wonderful text, and it has, at the same time, Volker's total professionality and his almost mythical modesty. Furthermore, the text is a historical precis of an epoch in which . . .”
Gideon Bachmann on A Conversation with Volker Schlöndorff, 20 minutes ago.
“Just incredible how robust the set looks versus the gorgoeosness of the final shot... amazed”
Johan van Huyssteen on Trick or Truth, about 1 hour ago.
“Good to know that Gideon's VOX HUMANA - THE VOICE BANK project exhibits some of its content in public editions now. Hope that VOX HUMANA - THE VOICE BANK evolves.”
Joachim Polzer on Marcello Mastroianni on Fellini, about 9 hours ago.
“At last, someone's finally elucidated the work's complex structure (instead of lazily dismissing it as a spineless mass of hallucinatory images and portentous themes), at the same time proving . . .”
John on La dolce vita: Tuxedos at Dawn, about 12 hours ago.
“Ma'am, I sure like that name... Clementine.”
Steve Seidman on Making My Darling Clementine, about 12 hours ago.
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