Bright Lights, Dark Dreams: Alejandro Galindo in Morelia
This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.
Now Voyageurs: Il Cinema Ritrovato 2021
In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
When Hollywood Was a Writers’ Town: A Conversation with Philippe Garnier
In this sprawling interview, the veteran French journalist recounts the long, eccentric research journey behind his newly translated portrait of the writers who fueled American cinema in the thirties and forties.
The Cameraman: Man with a Movie Camera
Buster Keaton struggled with higher-ups at MGM while making his last great film, which the studio would later hold up as a model of a perfectly constructed comedy.
Least Wanted—Film Noir’s Character Actors: Harry Morgan
In Frank Borzage’s Southern Gothic noir Moonrise, the actor captures a heartbreaking mixture of love and fear with his deeply empathetic (and very brief) portrayal of a deaf-mute.
Least Wanted—Film Noir’s Character Actors: Wallace Ford
A haven for aging Hollywood actors, film noir had plenty of room for performers like Wallace Ford, who brought a hard-scrabble energy to the roles of has-beens and losers.
The Birth of a Quiet Radical: John M. Stahl’s Silent Films
Long thought lost or unavailable, John M. Stahl’s early films highlight his mastery of melodrama, combining elegant framing with explosive emotions and a commitment to exploring women’s experience.
Least Wanted—Film Noir’s Character Actors: Thelma Ritter
Supporting roles bring potent flavor to classic Hollywood’s darkest genre. In the first installment of a series, Imogen Sara Smith pays tribute to the queen of character actors: Thelma Ritter.
The Sun on Their Faces: One Scene from People on Sunday
One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.