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Who’s That Girl?
By Tamara Hellgren
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Ten (sixteen, actually) Reasons I Love
Two-Lane BlacktopBy Richard Linklater
01 Because it’s the purest American road movie ever. 02 Because it’s like a drive-in movie directed by a French new wave director. 03 Because the only thing that can get between a boy and his car obsession is a girl, and Laurie . . . Read more »
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Two-Lane Blacktop: Slow Ride
By Kent Jones
The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones to be sure. But can it really be said that they were milestones in the art of cinema? “I think The Graduate is not really a . . . Read more »
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Double Trouble
By Peter Becker
It’s been one of those weeks. First we learned we’d made a mastering error on our Mala Noche edition. Then the first run of the new collectors’ set Ingmar Bergman: Four Masterworks shipped with the wrong disc—the Essential Art House: 50 . . . Read more »
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“Personally in films portraying romance I have never been comfortable being "forced" to witness first hand the progression to graphic sexual intimacy as if I´m an unwitting peeping tom or some such . . .”
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about 5 hours ago.
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