Over the course of his last four films, Argentine writer-director Matías Piñeiro has developed a unique approach to bringing Shakespeare’s comedies into the contemporary world, using these classic tales as vehicles for exploring the complex interpersonal dilemmas of his predominantly female protagonists. Hermia & Helena, which opens in Manhattan this weekend at the Metrograph and the Film Society of Lincoln Center, takes its inspiration from A Midsummer Night’s Dream, centering on the friendships and romantic adventures of a young theater director from Buenos Aires, who is working on a new translation of the play while attending an artist residency in New York. Last fall, just before the film’s premiere at the New York Film Festival, Piñeiro stopped by our office for an interview and a trip inside our closet. Take a look at the array of Criterion editions he snatched up during his visit, which range from Jean Renoir’s Technicolor spectacular French Cancan to Roberto Rossellini’s devastating Journey to Italy.
Euzhan Palcy’s Closet Picks
The trailblazing director of A Dry White Season reminisces about her childhood love of Hitchcock, the kindness that François Truffaut showed her, and a Brazilian classic that changed her life.