Each

Sep 29, 2026 — With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.

Sep 28, 2026 — Shirley Clarke, Orson Welles, George Cukor, Lynne Ramsay, Olivier Assayas, Bree Daniels . . . quite a roundup this month.

Sep 25, 2026 — David Lynch keeps reentering the conversation, and so does Pauline Kael. Plus: A roundup of recent newsletters.

Sep 24, 2026 — While artistic director Dennis Lim lays the groundwork, Film Comment, the Film Stage, and Slant offer guidance through the program.

Sep 24, 2026 — The elegantly crafted portmanteau films Quartet, Trio, and Encore adapt twelve spellbinding tales of deception and passion from one of the best-selling authors of the twentieth century.

Sep 22, 2026 — In this exhilarating account of the making of Jean-Luc Godard’s Breathless, Richard Linklater lovingly reconstructs the vanished world of late-fifties Paris and the cinephilic culture surrounding the French New Wave.

Sep 21, 2026 — A Japanese-television phenomenon that sparked a boom in anime production and fandom, Hideaki Anno’s magnum opus is a mind-bending mix of kinetic action, sci-fi spectacle, and introspective human drama.

Sep 14, 2026 — May el-Toukhy’s Woman Unknown wins the Golden Lion, and NAZA, codirected by Rachel Szor and Yuval Abraham, wins a Special Jury Prize.

Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

Sep 8, 2026 — Riding raves for Lee and his four leads, the film heads next to Toronto and New York.