Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

May 28, 2026 Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 27, 2026 This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.

May 19, 2026 New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.

May 19, 2026 Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Apr 28, 2026 In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

Apr 24, 2026 Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.

Apr 9, 2026 Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.

Apr 1, 2026 BAMPFA presents a retrospective in conjunction with the filmmaker’s residency at UC Berkeley.

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