To Be Free

The Daily

Sep 18, 2026 — We’re remembering Patricio Guzmán and spotlighting new writing on Sarah Maldoror, Tsui Hark, and the Up series.

Sep 17, 2026 — Our Halloween programming includes a tour of cinema’s scariest road movies, an anthology of TV-movie nightmares, and collections built around our fears of sinister intruders and mysterious possessive forces.

Aug 10, 2026 — As A. Rimbaud carries on building a dedicated audience, San Diego’s Digital Gym presents a retrospective.

Aug 5, 2026 — MIFF 2026 revives films by Manoel de Oliveira, Lino Brocka, Mary Stephen, Yoshiaki Kawajiri, Michael Almereyda, and Mary Harron.

Aug 3, 2026 — The American Cinematheque presents six of the eleven films Douglas Sirk and cinematographer Russell Metty made between 1952 and 1959.

Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 27, 2026 — This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.

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