One of my favorite films of all time. Over the years I have come to respect it even more than L’avventura.
One of the masterworks of cinema that rattles me each time I see it. Kieślowski is perhaps the master of filming the unfilmable and unknowable.
Vittorio De Sica
Endlessly inspiring social humanist film. A great location film. The two hands in the end is one of the best shots in cinema.
La dolce vita
Expansive and deeply moving. Haunting.
I can watch the train station sequence over and over again.
The structure is so unique, and the night sequence is a classic. Again, Kurosawa brilliantly translates the Russian writers.
The Exterminating Angel
For some reason my Spanish teacher in eighth grade thought this was an appropriate film to use to teach us Spanish. I was spooked and could not sleep for nights on end. One of my favorite Bunuel films.
Bret Easton Ellis’s Top 10
Bret Easton Ellis sent us his ten favorite Criterion films in alphabetical order, with the caveat that his list “could have been different last week and it might be different next week.”
Ana Lily Amirpour’s Top 10
Ana Lily Amirpour is an Iranian-American director, writer, producer, and actor best known for her award-winning debut film, the Persian-language vampire western A Girl Walks Home Alone at Night (2014).
Amy Seimetz’s Top 10
The multitalented filmmaker behind Sun Don’t Shine (now playing on the Criterion Channel) and She Dies Tomorrow shares a list of favorites that subvert narrative convention and dive into the mysteries of identity.