The Third Man
This is Welles and Cotton at their best. The scene on the Riesenrad Ferris wheel is menacing and genius. Carol Reed’s vision for the darkness of this film that illuminates the thinly veiled chaos of postwar Europe is beautiful. I can watch this film over and over.
Not everyone’s favorite Altman, and maybe not even mine, but I’ve always found it to be a celebration of life. I am alone in this interpretation.
12 Angry Men
Henry Fonda and Lee J. Cobb. Enough said.
I love Peckinpah, and this was a unique take for him on the whole male psyche trip. Math wins.
Five Easy Pieces
This film really put the farce of the cultured and the idea of existentialism on the map for me as an American. Nicholson is really at his best here.
Being able to watch Sterling Hayden for this long is spectacular. Kubrick learning is awesome as well.
I love this movie primarily because I like New York in it. Oh, and devil worship. Love devil worship. Oh, and Cassavetes acting is always amazing.
Brian De Palma
The Big Chill
I loved this movie when I was a kid. It made boomers cool. That didn’t really last.
Wes Anderson’s Top 10
“I thought my take on a top-ten list might be to simply quote myself from the brief fan letters I periodically write to the Criterion Collection team.” His selections were, unsurprisingly, delightful.
Pedro Costa’s Top 10
Portuguese director Pedro Costa is the internationally acclaimed, award-winning artist behind the films Ossos, In Vanda’s Room, and Colossal Youth, available from Criterion in the special edition four-DVD box set Letters from Fontainhas: Three Film…
Al Reinert’s Top 10
Writes Al Reinert, director of For All Mankind: “Having your film in the Criterion Collection is like marrying your daughter into an old distinguished family that intimidates and humbles you. She might feel at home there, but I am inclined to stand…