The 400 Blows
The most beautiful feature film debut in the history of cinema. I’m extremely curious about the abundant special features on the Blu-ray. I wish to explore every single one.
Fanny and Alexander: Theatrical Version
The most beautiful ending to a feature film career in the history of cinema. And the most beautiful DVD box set in the history of mankind. I’m keen to find out who the designer of the box set was.
The Ballad of Narayama
I would like to compare the film to The Ballad of Narayama by Shohei Imamura and Goryeojang by Kim Ki-young. I wish to fully experience and appreciate Keisuke Kinoshita’s bold colors through Blu-ray.
William Cameron Menzies
Things to Come
I’m anxious to find out if I will be as thoroughly excited by the film as I was by H. G. Wells’s science fiction novels when I read them as a youth.
It’s Max Ophüls!
There have been many “tapestry films,” including Altman’s own Short Cuts and Paul Thomas Anderson’s Magnolia. But I believe Nashville will always be the best in the class.
Life Is Sweet
The actors/characters in Mike Leigh’s films are always shockingly vivid and alive.
The Man Who Fell to Earth
Nicolas Roeg’s films never cease to be fresh and youthful.
Wes Anderson’s films are delightfully strange and endearing.
Being John Malkovich
A few days ago, I had a chance to meet Spike Jonze, and we talked briefly. The meeting left me with a strong impulse to go inside his head and explore the corners of his mind.
Bret Easton Ellis’s Top 10
Bret Easton Ellis sent us his ten favorite Criterion films in alphabetical order, with the caveat that his list “could have been different last week and it might be different next week.”