No movie is more Fellini than this tale of a film director in crisis. It’s all here: crazy characters, an ever-roaming camera, a great score by Nino Rota, and of course . . . Marcello.
All That Jazz
Bob Fosse’s long, dark look in the mirror is a perfect bookend to 8½. Roy Scheider gives the performance of his career and an all-new meaning to the phrase “It’s showtime, folks!” This came out the year I graduated from high school, and it literally changed my life.
The soundtrack alone is enough to put this on my top ten list, but honestly, the real thrill here is watching Bill Murray transmogrify into . . . Bill Murray.
Still the finest film ever made about cooking and what it means to be a cook.
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
“Gentlemen, you can’t fight in here! This is the war room.” Enough said.
I still don’t know what the hell Lynch made that baby out of.
The Great Beauty
I want to be Toni Servillo when I grow up.
Witness the Coens becoming the Coens, in the good old days when Barry Sonnenfeld was still their DP. And, oh my . . . Frances McDormand with that “I haven’t done nothing funny.”
Sure, Seven Samurai is the best known of Kurosawa’s canon, but I say Yojimbo takes the cake because it’s got one thing that Samurai doesn’t: a sense of humor. It’s also Toshiro Mifune’s best outing, bar none.
The Third Man
Carol Reed’s black-and-white tale of postwar Vienna is a perfect storm of dialogue, music, photography, and production design. Although the most celebrated moment is the reveal of Welles and that sly smile, for me the moment that makes the film is the final shot when Alida Valli just walks right by Joseph Cotten. Damn.
Oren Moverman’s Top 10
Like any top ten list in any discipline by anyone privileged enough to be asked to catalog his professional indulgences for public viewing, the following list is deeply meaningful and truly meaningless.
Guy Maddin’s Top 10
Canadian filmmaker and writer Guy Maddin’s Brand Upon the Brain!, featuring Isabella Rossellini as the narrator, was released on DVD from the Criterion Collection in 2008. Maddin also contributed an essay on Kirk Douglas for our release of Billy Wi…