The mystery, the compositions, the island rocks, and, most of all, Monica Vitti, standing against a wall, biting her lower lip, with that hair, and eyes, and nose.
The Rules of the Game
Renoir’s humanity. The depth of his characters: who is that behind the large woman who plays the piano? Even he has a story. The miraculous way Renoir captures the sky in black and white. The breadth of what he’s truly portraying; the world on the edge of the volcano.
The style, the cutting. Gene Hackman, Dabney Coleman. Once he hit his stride, did Redford ever give a bad performance? And what choices Redford made—to make films showing the dark side of competitive America.
The Earrings of Madame de . . .
So exquisite in every way. The waltzing camera, the costumes, performances, Darrieux, De Sica, Boyer. A 1953 creation that has a nineteenth-century novel’s sensibilities.
Boudu Saved from Drowning
Again, Renoir’s humor and compassion, and the way he captures the streets of Paris. Michel Simon is a real, bizarre, challenging genius—like a French Brando in his anarchic, charismatic danger.
Michael Powell and Emeric Pressburger
The COLOR. The passion. The radiance of that blue room. The Archers’ hermetic creation of the Himalayas in a studio and garden in England.
Trouble in Paradise
Okay—the wit. Hopkins and Marshall in the taxi at the end. The staircases. The portrayal of people in their twenties and thirties who were adults. And enjoyed being adults.
The Third Man
The angles, story, humor, dialogue, music, eloquence, Trevor Howard, Valli, Cotten. Smart fun.
Through a Glass Darkly
His spiritual explorations: Through a Glass Darkly, Winter Light, The Silence, all in Nykvist’s black and white. Plus Ingmar Bergman Makes a Movie. This is everything art should be. Struggling for something ineffable, entertaining, illuminating, and beautiful.
Clea DuVall’s Top 10
Clea DuVall is an acclaimed actor whose credits over the past twenty years include the cult favorites But I’m a Cheerleader and The Faculty, Rodrigo Garcia’s Passengers, David Fincher’s Zodiac, and Ben Affleck’s Oscar-winning Argo.
Bruce Beresford’s Top 10
Bruce Beresford is the director of more than twenty-five features, including Breaker Morant (1980), Tender Mercies (1983), Driving Miss Daisy (1989), Mister Johnson (1990), and Black Robe (1992).
Jane Campion’s Top 10
In honor of her introduction to the collection, with An Angel at My Table, we asked director Jane Campion to contribute a list of Criterion films that are on her mind at the moment. Campion’s debut feature, Sweetie, is also available from Criterion…