I’m always hesitant to claim that any movie “changed my life,” but this one actually did. At the time I first saw it, I’d never considered the possibility of telling a story without narrative. It changed the way I thought about all art, and it made me want to be a weirder person.
This Is Spinal Tap
The most influential rock film ever made (A Hard Day’s Night is probably second). It’s more than thirty years old, but it’s still the default reference for every rock group with a sense of humor (even if none of the band members were alive when it was originally released). It somehow has more cultural sticking power than most of the music it satirizes. There’s never been a real documentary about a real band that captures the nature of heavy rock as deftly as this unreal documentary about a fake band.
F for Fake
I’m not even going to try and describe why I like this movie. It would take me 5,000 words and only make things worse.
The cinematic manifestation of sportswriting’s highest aspirations.
Kicking and Screaming
Be careful when discussing this film. If it randomly comes up in conversation, do not immediately start lecturing about how insightful it is in unspecific terms, because there’s a high likelihood the other person will think you’re actually referencing that movie where Will Ferrell coaches a soccer team. This will problematize the conversation in an interesting way, and you may be unfavorably compared to Armond White.
House of Games
I dig movies about con men, and I think it’s because I saw this in high school. It was bizarrely educational. I also love the way David Mamet makes characters talk; it is my sincere hope that Criterion eventually gets the rights to Glengarry Glen Ross and The Spanish Prisoner. I offer to write the liner notes for free.
David Maysles, Albert Maysles, and Charlotte Zwerin
The footage in this film is difficult to forget, often for contradictory reasons.
Being John Malkovich
The fact that John Cusack climbing into someone else’s brain can be completely described in forty-five seconds of dialogue without ever seeming particularly implausible is a testament to how well this movie is written. It’s just a totally immersive experience.
The Last Days of Disco
When I first saw this, in Akron, Ohio, I thought, That’s a good movie. I saw it again after I moved to New York. It obliterated my mind. These people still exist.
It makes me feel great.
Robert Ben Garant and Tom Lennon’s Top 10
Comedians, writers, and producers Tom Lennon and Robert Ben Garant split their duties in selecting their favorite titles from the collection: the first five are from Lennon, the last are from Garant.
Bret Easton Ellis’s Top 10
Bret Easton Ellis sent us his ten favorite Criterion films in alphabetical order, with the caveat that his list “could have been different last week and it might be different next week.”
Hossein Amini’s Top 10
The Iranian-British Hossein Amini received an Academy Award nomination for his 1997 screenplay adaptation of Henry James’s The Wings of the Dove and wrote the screenplays for Jude (1995), The Four Feathers (2002), and Drive (2011).
Paweł Pawlikowski’s Top 10
The Oscar-winning director of Ida and Cold War walks through key periods in his life that have been shaped by his favorite films, including masterpieces by Godard, Malick, and Tarkovsky.