The 39 Steps
Prototypical Hitchcock innocent-man-on-the-run thriller—it could be the Hitchcock I’m still most partial to.
Seven Samurai goes without saying. But Stray Dog is the best Japanese film noir I know, with two powerhouse stars: Takashi Shimura and Toshiro Mifune.
When we reopened Film Forum in a new theater, in 1990, this is the one I chose as the opening attraction for the repertory screen. One viewing will explain why.
Trouble in Paradise
“I’ve been to Paris, France and Paris, Paramount. I prefer Paris, Paramount,” Ernst Lubitsch once famously remarked. This is Lubitsch and Paris, Paramount, at their absolute peak.
The 400 Blows
Watch this and Breathless together and you’ll understand what the big deal about the new wave was.
À nous la liberté
As delightful as any other film of the early thirties. Their influence on sound films in general, and musicals in particular, is underestimated.
Big Deal on Madonna Street
Divorce Italian Style
La crema della crema of Italian comedies. Honorable mention: Fellini’s The White Sheik.
The most perfect literary adaptation ever (can anyone come up with a better one?).
The Honeymoon Killers
Very little of what’s called “independent” today really is. The Honeymoon Killers is a real independent; made on a shoestring, this is the most chilling movie of its decade.
Night and the City
A quintessential film noir by a master of the genre. In style and theme, it resembles a later favorite of mine, Sweet Smell of Success.
Jesse Malin’s Top 10
After playing in hard-core and glam bands throughout the 1980s and ’90s, Queens-born singer-songwriter Jesse Malin released his first solo album, The Fine Art of Self Destruction, in 2002.
Steve Buscemi’s Top 10
Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon. He also also directed such films as Trees Lounge, Animal Factory, and Interview.
Bill Hader’s Top 10
In compiling his top ten Criterion editions, Hader says, “I couldn’t pick ten . . . sorry. So I programmed Criterion double features, which is what I tend to do on Sunday nights anyway.”