The Battle of Algiers
I remember it as a strong anticolonialist film, with parallels with the American civil rights movement. In fact, a scene you won’t see in Medium Cool, of black militants going into a theater where The Battle of Algiers was playing, was deleted as a concession to Paramount’s concerns that it would provoke violence against Paramount executives. Paramount argued that if audience members came out of Medium Cool and committed a violent act, Paramount would be liable.
The Cranes Are Flying
A Soviet film, it came out when the Cold War was going full blast. American films celebrated victory without displaying the true extent of the cruelty of warfare, and the damages it inflicts on our humanity. Of particular technical interest to me was a combination handheld crane shot, which I duplicated in Bound for Glory with a new device called the Steadicam.
I remember the story of Lacombe, Lucien, who was seduced by the German occupiers to be a quisling. They made him feel he was “somebody.” The film, being after the war, dealt with his psychic examination of who he was; many of his contemporaries would not forgive him. I knew director Louis Malle personally, and I know that attracted me to see his film, which was somewhat autobiographical.
Long, long takes of traffic accidents. Fascinating characters along the way. Many frustrated drivers and passengers unable to deal with matters of a complex world. The film delves into their personal dramas, and how the delay affects their plans. Cameraman Raoul Coutard is a friend of mine, and the long takes were considered a tour de force.
Early on, surprisingly enough, Italian cinema broke the Hollywood barrier by making simple, down-to-earth stories. Most of the films were made without live sound but dubbed later by experts. It meant that noisy, unblimped cameras would give flexibility to image-making. Stories like Bicycle Thieves, Rome Open City, and Paisan all fell into that category.
Steve Buscemi’s Top 10
Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon. He also also directed such films as Trees Lounge, Animal Factory, and Interview.
Kevin Macdonald’s Top 10
Kevin Macdonald is the grandson of the filmmaker Emeric Pressburger. Macdonald’s directorial credits include 2000's Academy Award–winning One Day in September, about the killing of Israeli athletes at the 1972 Munich Olympics, and 2003's Touching…
Whit Stillman’s Top 10
“In trying to come up with a ten best list from the Criterion Collection I thought first of Trouble in Paradise and decided to go online to find the rest. But after only seven pages of Criterion’s online list I already had more than enough for te…