The Battle of Algiers
I remember it as a strong anticolonialist film, with parallels with the American civil rights movement. In fact, a scene you won’t see in Medium Cool, of black militants going into a theater where The Battle of Algiers was playing, was deleted as a concession to Paramount’s concerns that it would provoke violence against Paramount executives. Paramount argued that if audience members came out of Medium Cool and committed a violent act, Paramount would be liable.
The Cranes Are Flying
A Soviet film, it came out when the Cold War was going full blast. American films celebrated victory without displaying the true extent of the cruelty of warfare, and the damages it inflicts on our humanity. Of particular technical interest to me was a combination handheld crane shot, which I duplicated in Bound for Glory with a new device called the Steadicam.
I remember the story of Lacombe, Lucien, who was seduced by the German occupiers to be a quisling. They made him feel he was “somebody.” The film, being after the war, dealt with his psychic examination of who he was; many of his contemporaries would not forgive him. I knew director Louis Malle personally, and I know that attracted me to see his film, which was somewhat autobiographical.
Long, long takes of traffic accidents. Fascinating characters along the way. Many frustrated drivers and passengers unable to deal with matters of a complex world. The film delves into their personal dramas, and how the delay affects their plans. Cameraman Raoul Coutard is a friend of mine, and the long takes were considered a tour de force.
Early on, surprisingly enough, Italian cinema broke the Hollywood barrier by making simple, down-to-earth stories. Most of the films were made without live sound but dubbed later by experts. It meant that noisy, unblimped cameras would give flexibility to image-making. Stories like Bicycle Thieves, Rome Open City, and Paisan all fell into that category.
Alan Rudolph’s Top 10
Alan Rudolph is a pioneer in the American independent film movement. He has directed nineteen narrative features, including Trouble in Mind, The Secret Lives of Dentists, Afterglow, Choose Me, and his new film Ray Meets Helen.
Phil Rosenthal’s Top 10
Born in Queens, New York, American television writer and producer Phil Rosenthal is best known as the creator of the hit sitcom Everybody Loves Raymond, which ran on CBS for nine seasons.