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Love One Another

Aug 25, 2026 James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

Art-House Sci-Fi

The Daily

Aug 19, 2026 BAM presents visions of a few possible utopias—and plenty of dystopias.

Aug 6, 2026 The Chicago Film Society hosts three days of eclectic and vibrant programming.

Jul 29, 2026 Film Comment presents a series of works featuring, focusing on, and/or written by the famed critic and novelist.

Jul 22, 2026 The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 17, 2026 Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the elusive place where inspiration sparks and musical legends are born. Our Southern Gothic...

Jul 17, 2026 Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.

Jul 14, 2026 In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Jul 14, 2026 News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.

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