Head-On

Mar 6, 2026 — Jonathan Rosenbaum returns to the Reader, there’s a new Cineaste, plus: Hiroshi Shimizu, John Akomfrah, and Robert Vas.

Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

Feb 26, 2026 — This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.

Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Feb 19, 2026 — In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”

Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.

Jan 26, 2026 — The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.

Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.