May 28, 2026 Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

May 18, 2026 Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.

May Books

The Daily

May 11, 2026 We begin with the Marilyn Monroe centenary and move on to thrillers and collections of poetry and critical essays.

May 6, 2026 Erige Sehiri’s Promised Sky opens the New York African Film Festival and screens as part of Seattle’s African Pictures program.

Apr 22, 2026 “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

Apr 21, 2026 It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...

Apr 14, 2026 Monty Python’s Life of Brian (1979) is a film about fear. That may not entirely jibe with its reputation as a biblical parody, but it might be the movie’s secret strength—why it continues to strike a nerve today. Many of...

Not I, AI

The Daily

Apr 10, 2026 Jia Zhang-Ke and Steven Soderbergh experiment with AI, plus: Jim Jarmusch, Tina Aumont, and Elvira Notari.

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