Time Has Come

Nov 23, 1998 — Paul Morrissey’s cult classic has obvious appeal for the lover of Grand Guignol—but it equally addresses the thoughtful.

Jul 31, 2026 — Along with a new Senses of Cinema, the week brings writing on work by Rossellini, Bresson, De Palma, Kiyoshi Kurosawa, and Yashaddai Owens.

Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Jul 1, 2026 — Film at Lincoln Center rolls out a series of ten films probing the secrets and suspicions of a nation that seems perpetually on edge.

Jun 25, 2026 — On its fiftieth anniversary, Mikey and Nicky is back in theaters, and A New Leaf and Ishtar are screening in New York as well.

Jun 16, 2026 — BAM presents twelve films ranging from the early 1960s through the late 1980s.

Jun 16, 2026 — The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

Jun 2, 2026 — Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.

May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.