Strong

Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.

Jul 8, 2026 — Around five hundred films—restorations, revivals, rediscoveries—screened last month in Bologna.

Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.

Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

May 27, 2026 — When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 26, 2026 — Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.

May 19, 2026 — New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.

May 18, 2026 — Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.

May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.