The Criterion Collection
Essays
Oct 13, 2026 — Blending elements of psychological thriller, social satire, and psychedelic film, Jerzy Skolimowski’s Cannes-award-winning classic uses its audacious sound design to evoke the terror of English civilization.
The Daily
Oct 13, 2026 — The Melbourne Cinémathèque screens five films by the poetic realist best known for Children of Paradise.
The Daily
Oct 5, 2026 — Andrew Scott and Rami Malek play dying actors determined to give their all to their art in the late 1980s.
The Daily
Sep 30, 2026 — Reviews may be mixed, but everyone agrees that the main attraction is Rooney and Kate Mara’s sister act.
Sep 29, 2026 — With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.
Sep 24, 2026 — The elegantly crafted portmanteau films Quartet, Trio, and Encore adapt twelve spellbinding tales of deception and passion from one of the best-selling authors of the twentieth century.
The Daily
Sep 9, 2026 — Greene ventures further into a territory where fiction and nonfiction are up to a lot more than a mere blurring of the lines.
The Daily
Sep 4, 2026 — Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.
Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.
Aug 25, 2026 — In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.