Do Ankhen Barah Haath

Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.

Aug 21, 2026 — Touring David Lynch’s LA, listening to screenwriter Samy Burch, and deciphering Adam Curtis.

Aug 20, 2026 — A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.

Aug 14, 2026 — Fine writing on Powell and Pressburger, James Gray, Catherine Breillat, and Richard Linklater—plus: Isabelle Huppert on Claude Chabrol.

Aug 13, 2026 — In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.

Aug 12, 2026 — Tregenza has made his sixth feature “fast and hard and beautiful,” and it’s premiering in New York before heading to Los Angeles.

Aug 7, 2026 — This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.

Aug 7, 2026 — The members of this influential leftist collective created a formally adventurous body of work that examined the nation’s tumultuous history through a postcolonial lens.

Aug 3, 2026 — The American Cinematheque presents six of the eleven films Douglas Sirk and cinematographer Russell Metty made between 1952 and 1959.