The Criterion Collection
A staff writer at the New Yorker, Hilton Als won the 2017 Pulitzer Prize for Criticism and is the author of The Women, White Girls, and My Pinup: A Paean to Prince. He teaches in the English department at the...
Alexander Sesonske was a film-studies professor at the University of California, Santa Barbara, and the author of Jean Renoir: The French Films, 1924–1939.
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
The Daily
Oct 2, 2026 — As we mark the Andrzej Wajda centennial, Paweł Pawlikowski looks back on the twentieth century from another angle. Plus: Rohmer, Burnett, Fosse, and Wiene.
The Daily
Sep 29, 2026 — The body-swap mystery stumped more than a few viewers in Cannes, but it seems to have found its footing in New York.
The Daily
Sep 28, 2026 — Shirley Clarke, Orson Welles, George Cukor, Lynne Ramsay, Olivier Assayas, Bree Daniels . . . quite a roundup this month.
Sep 28, 2026 — Anchored by an extraordinary performance from Sandrine Bonnaire, the epic historical drama Joan the Maid strips away its saintly protagonist’s mythic aura and gives us a humbler, more intimate version of her life story.
The Daily
Sep 25, 2026 — David Lynch keeps reentering the conversation, and so does Pauline Kael. Plus: A roundup of recent newsletters.
Sep 24, 2026 — The elegantly crafted portmanteau films Quartet, Trio, and Encore adapt twelve spellbinding tales of deception and passion from one of the best-selling authors of the twentieth century.