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Sixties Shinoda

The Daily

Mar 25, 2026 The Harvard Film Archive celebrates the first decade of work by a key figure of the Japanese New Wave.

Mar 24, 2026 Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.

Mar 24, 2026 In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

Unmistakably Real

The Daily

Mar 13, 2026 SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.

Mar 12, 2026 A selection of fine writing on this year’s Academy Award nominees.

Mar 10, 2026 Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.

True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Feb 24, 2026 For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Feb 24, 2026 Centered on the emotional unraveling of a failed newsman, this darkly prescient satire envisions the collapse of American society as we knew it through an unsparing critique of corporate media and capital accumulation.

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