The Criterion Collection
The Daily
Mar 25, 2026 — The Harvard Film Archive celebrates the first decade of work by a key figure of the Japanese New Wave.
Mar 24, 2026 — Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.
Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.
The Daily
Mar 13, 2026 — SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.
The Daily
Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.
The Daily
Mar 10, 2026 — Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.
The Daily
Mar 4, 2026 — Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.
Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.
Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.
Essays
Feb 24, 2026 — Centered on the emotional unraveling of a failed newsman, this darkly prescient satire envisions the collapse of American society as we knew it through an unsparing critique of corporate media and capital accumulation.