Juliet of the Spirits
This was Fellini’s first film in color. Fellini, along with cinematographer Gianni di Venanzo, experimented with this exciting new medium. There’s an enthusiasm and boldness to the use of color in it, and it shapes the way I think about color in film even today.
By Brakhage: An Anthology, Volume One
Stan Brakhage looked at film in a way that was exciting for me. He was never hampered by traditional storytelling or theatrically crafted scenes. Or even by cameras themselves. The images in his groundbreaking films set my imagination free to look at the medium in a new way.
Murmur of the Heart
This brilliant film about a boy’s coming of age introduced me to French cinema. Malle creates a fascinating picture of French family life; it’s both a comedy and a story of alienation. The mood of the more intimate scenes stays with me, as does the great jazz score.
Picnic at Hanging Rock
The power of this film is in the way it sustains the sense of mystery throughout. A young girl disappears, and we never really learn how or why. Cinematographer Russell Boyd helps create the ominous mood with photography that is beautiful and threatening at the same time.
Hossein Amini’s Top 10
The Iranian-British Hossein Amini received an Academy Award nomination for his 1997 screenplay adaptation of Henry James’s The Wings of the Dove and wrote the screenplays for Jude (1995), The Four Feathers (2002), and Drive (2011).
Jane Campion’s Top 10
In honor of her introduction to the collection, with An Angel at My Table, we asked director Jane Campion to contribute a list of Criterion films that are on her mind at the moment. Campion’s debut feature, Sweetie, is also available from Criterion…