Juliet of the Spirits
This was Fellini’s first film in color. Fellini, along with cinematographer Gianni di Venanzo, experimented with this exciting new medium. There’s an enthusiasm and boldness to the use of color in it, and it shapes the way I think about color in film even today.
By Brakhage: An Anthology, Volume One
Stan Brakhage looked at film in a way that was exciting for me. He was never hampered by traditional storytelling or theatrically crafted scenes. Or even by cameras themselves. The images in his groundbreaking films set my imagination free to look at the medium in a new way.
Murmur of the Heart
This brilliant film about a boy’s coming of age introduced me to French cinema. Malle creates a fascinating picture of French family life; it’s both a comedy and a story of alienation. The mood of the more intimate scenes stays with me, as does the great jazz score.
Picnic at Hanging Rock
The power of this film is in the way it sustains the sense of mystery throughout. A young girl disappears, and we never really learn how or why. Cinematographer Russell Boyd helps create the ominous mood with photography that is beautiful and threatening at the same time.
Steve Buscemi’s Top 10
Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon. He also also directed such films as Trees Lounge, Animal Factory, and Interview.
Tom Schnabel’s Top 10
Music director at Los Angeles’s KCRW radio station, Tom Schnabel started the daily program Morning Becomes Eclectic in the 1980s, first bringing world music to U.S. radio with such artists as Buena Vista Social Club, Ravi Shankar, and Caetano Velos…