The opening scene, with the horses, is one of the best ever. It always mesmerizes me.
High and Low
It has a great setup, great characters, and a great theme. Kurosawa’s vision raised the film to another level.
Sam Peckinpah and Dustin Hoffman at their best. The rape scene is horrific and haunting.
The first view of the sword sent chills through my spine.
This film gave birth to the cool hit man archetype.
Le cercle rouge
It contains a Buddhist concept that is echoed in some of my own works. Here we see three heroes caught in a unique situation where their friendship matters more than anything else.
In the Mood for Love
It’s a film with great flavors. I wish it would just play on and on.
An abstract and strange world. A view of what we all may become one day.
The Last Emperor
It’s almost surreal to see Chinese costume drama performed with English dialogue!
A film that combines the sitcom and the samurai film.
Kevin Macdonald’s Top 10
Kevin Macdonald is the grandson of the filmmaker Emeric Pressburger. Macdonald’s directorial credits include 2000's Academy Award–winning One Day in September, about the killing of Israeli athletes at the 1972 Munich Olympics, and 2003's Touching…
Jon Dieringer’s Top 10
The founder of the website Screen Slate picks a selection of favorites, including an ’80s indie gem, shockers ranging from Eraserhead to Canoa, and two films that capture the “twilit feeling of childhood.”
Tracy Letts’s Top 10
Tracy Letts is an American playwright, screenwriter, and actor. He received the 2008 Pulitzer Prize for drama for August: Osage County and a Tony Award for Who’s Afraid of Virginia Woolf?
Steven Yeun’s Top 10
An international star who has delivered acclaimed performances in The Walking Dead, Okja, and Burning, Steven Yeun tells us about the “wise grace” of Tokyo Story, the brutality of RoboCop, and other Criterion favorites.