Sansho the Bailiff
A strong candidate for Greatest Film Ever Made. A perfect and profound masterpiece, rivaled only by its near companion Ugetsu.
The Complete Mr. Arkadin
The critics of Cahiers du cinéma once chose this over Citizen Kane for their “Ten Best Ever” list. I am inclined to agree. The three versions suggest an endless, fascinating “work in progress.”
For me, three films stand out in Kurosawa’s uneven career (the other two being Ikiru and High and Low): one of the cinema’s greatest “action” movies, thrilling and sublime. (Beware the dread Hollywood remake!)
Pickup on South Street
Mistakenly seen as a crude anticommunist movie, Pickup juxtaposes the commies with an America in which the only characters are criminals or dropouts. The death of Moe, sacrificing herself for a country that abandoned her, is heartbreaking. Arguably Fuller’s best film.
The Lady Eve
Sturges’s masterpiece, from the long buildup to the most hilarious and brutal payoff in the history of Hollywood comedy.
Influenced by (but in some respects transcending) Leo McCarey’s Make Way for Tomorrow, this is perhaps the greatest film about the Family and its degeneration under the stresses of capitalism.
Michael Powell and Emeric Pressburger
I Know Where I’m Going!
My favorite Powell and Pressburger movie. It’s eternally fresh, unpredictable, yet perfect in its apparent digressions.
Band of Outsiders
Godard at his freshest, most spontaneous and improvisatory. Inexhaustably captivating.
Arguably Hitchcock’s most perfect (but not necessarily most profound) movie, in which every shot, every look counts, and Grant and Bergman achieve sublimity.
Julia Cafritz’s Top 10
At the beginning of Julia Cafritz’s senior year of high school, she saw Peter Weir’s The Last Wave and decided to drop out of high school, skip college, move to Australia, marry Mr. Weir and devote her life to filmmaking. Her parents said no. Two…
Richard Ayoade’s Top 10
The British comedian, actor, writer, and director Richard Ayoade is best known for his starring role on the UK television series The IT Crowd and his successful directorial debut Submarine, which was released in the U.S. in 2011.
Wendell B. Harris Jr.’s Top 10
The director of the award-winning indie classic Chameleon Street sings Orson Welles’s praises, pays tribute to Paul Robeson and Lorraine Hansberry, and reflects on his longtime dream of remaking Nightmare Alley.