General Idi Amin Dada: A Self-Portrait
Possibly the most surreal documentary ever filmed. The restored print propels this into a realm of “reality” that’s nearly hallucinogenic. What a snappy dresser! A must for any accordion enthusiast.
The Last Wave
Death, bones, secret underground caverns . . . apocalypse. What more could anyone possibly want?
The Life Aquatic with Steve Zissou
A masterpiece of art direction and set design. No other film in history has ever quite captured the essential dry rot of the 1970s’ fourth-rate Mediterranean beach world. Having spent sixteen summers in areas near, but not quite in, low-rent Med tourist towns, it was a thrill ride straight back to childhood.
The Naked Kiss
Fuller at his atavistic best. No way out. No redemption. Possibly the best opening sequence in film history.
This contains some of the most luminescent black-and-white cinematography ever seen. Fagin, as portrayed by Alec Guinness, will have you squirming with repulsion, yet unable to take your eyes off his balding pate.
Best film Napoléon ever—courtesy of Bilbo Baggins, no less. Connery as Agamemnon isn’t bad either.
I saw this when I was maybe twelve years old. The father’s suicide, the dead guy in the tree—images that bothered me for decades. Chop that meat.
Ian Holm seems to get into all the good movies (even, like, Alien). What’s with that? Never has dystopia looked so appealing. Count me in.
Burden of Dreams
All the goofy nature footage is worth sitting through for the ten seconds of pure hate that is Kinski’s freakout.
Lord of the Flies
Something’s to be said for the Bicameral Mind. Kill the Pig and the Gods will commune through the head on the pole. I think I’m getting Lasik—just in case the veneer shatters.
Neil LaBute’s Top 10
Neil LaBute, director of In the Company of Men, Your Friends and Neighbors, and Nurse Betty, has contributed supplemental interviews to two Criterion DVD editions: Mike Leigh’s Naked and Eric Rohmer’s Love in the Afternoon, the latter available i…
David and Nathan Zellner’s Top 10
Austin-based duo David and Nathan Zellner, whose new film Damsel is now in theaters, share a list of favorites that run the gamut from genre provocation to lyrical humanism.
Amy Seimetz’s Top 10
The multitalented filmmaker behind Sun Don’t Shine (now playing on the Criterion Channel) and She Dies Tomorrow shares a list of favorites that subvert narrative convention and dive into the mysteries of identity.