James L. Brooks
The only thing wrong about this movie is the terrible haircut Holly Hunter has at the end. Broadcast News is sharp and funny and endlessly quotable—and timelier than ever in this era of both so-called fake news and what feels like the re-emergence of world-changing journalism. I don’t know if I’ve ever related to a fictional character more than I do to Jane, Hunter’s smart, ambitious, flawed uber–Type A producer (who knows when to bust out a therapeutic cry). Add to that William Hurt at his most handsome, a complicated love triangle without a pat ending, the funniest theme-song sequence ever, and cinema’s most iconic polka-dot dress. It’s simply perfect.
The Royal Tenenbaums
Speaking of stylish, one of the reasons I’ve put this movie on my list is because I love the Scalamandre zebra-print wallpaper featured in it. But the film is wonderfully moving—and it has my favorite Gwyneth Paltrow performance ever; no one smokes more petulantly than she does—but it’s also a visual treat, from the aforementioned decor to Goop’s amazing polo dresses and ratty fur coat. In my experience, you either cannot stand Wes Anderson’s aesthetic or you want to move into it; I am the latter.
Being John Malkovich
This movie is such a strange little treasure. It is brilliantly bizarre, from the main conceit to the fact that Cameron Diaz (at her very best; I miss her) plays a terribly coiffed chimpanzee enthusiast. Admit it, right now you’re thinking about that scene where John Malkovich enters the portal into his own brain, and all anyone can say is the word “Malkovich.” A masterpiece of unapologetic, creative weirdness.
There is a bit of a theme to this list, it seems: almost all of these movies have at least one very juicy part for a woman. Much of this film has been lost to time for me since I last saw it—something something Chris Klein, blah blah Matthew Broderick—but I have never forgotten how perfect Reese Witherspoon is as Tracy Flick. She’s bossy, controlling, not very likable, but somehow deeply sympathetic. (I think Broadcast News’s Jane would have wanted to take Tracy on as an intern, and also possibly to kill her.)
Bruce Goldstein’s Top 10
Recipient of a special New York Film Critics Circle award for visionary programming, Bruce Goldstein is the Repertory Program Director of New York’s Film Forum, for which he has created more than 350 film festivals and spearheaded the rereleases of…
Monte Hellman’s Top 10
I’ve fulfilled a dream to become a part of the Criterion family. Criterion has helped to preserve not only the films I grew up with but also the ones I’m now trying to keep up with. Picking ten is worse than trying to choose between my wives, my…