A film that rhythmically moves like its characters: fractured, expressive, grown-up. Its emotional hues are completely original, yet it feels like a friend. This was Rowlands and Cassavetes at their most developed, and the ending is something like pure expression. I try to understand its structural and performative mysteries every time I sit down to edit something.
News from Home
This is a film of few elements and infinite layers, a structural, poetic, and observant masterpiece. Primarily, this is just a great idea for how to reveal the excitement and loneliness of a place. Its radical style slowly reveals itself to be expressive and deeply meaningful.
Written on the Wind
Maximum emotional output: pushes past irony, through the screen, through your heart and your head to show you the seductive power of images and empathy, while always forcing you to think about what you’re watching and how you’re seeing. Melodrama is a self-revealing organism. Every time I’m taking half measures with my work, I call on Father Sirk. Honorable mention goes to Todd Haynes’s Safe, a glorious Sirkian melodrama.
Albert Maysles, David Maysles, and Charlotte Zwerin
Nothing can prepare a young cinephile for the thrill of Direct Cinema. What you’re expecting to see (voice-over, explanation, facts, message) is replaced with plain-note observation of the human creature, which is the most dramatic and psychologically charged thing. Salesman is the uncle who gave me my first baseball mitt.
Taste of Cherry
The ending takes a concern at the heart of cinema—the relationship between the real world and the director impulse—and turns it into a self-aware narrative climax, which opens the iris of the film dramatically. This is moving, strange, captivating stuff. Like an old friend once told me, in order for an organism to grow, it must be aware that it is alive.
Nicolas Winding Refn’s Top 10
Danish filmmaker Nicolas Winding Refn is the director of the Pusher Trilogy, Fear X, Bronson, Valhalla Rising, and Drive, for which he won the best director prize at the 2011 Cannes Film Festival.
Greg Mottola’s Top 10
Greg Mottola has directed the feature films The Daytrippers, Superbad, Adventureland, and Paul, as well as episodes of the Judd Apatow TV series Undeclared, Arrested Development, and HBO’s The Comeback.
Bret Easton Ellis’s Top 10
Bret Easton Ellis sent us his ten favorite Criterion films in alphabetical order, with the caveat that his list “could have been different last week and it might be different next week.”
Leanne Shapton’s Top 10
An artist, art director, illustrator, and publisher based in New York City, Leanne Shapton designed the covers of the Criterion releases Kicking and Screaming and Cría cuervos . . . , and is the author of Was She Pretty?
Megan Abbott’s Top 10
Megan Abbott is the award-winning author of seven novels, including Dare Me and The Fever. Her writing has appeared in the New York Times, the Guardian, and the Wall Street Journal.