The Rules of the Game
Are we bored with this list yet?
Cinema is most often analogized with dreaming (see Hollywood as “dream factory”), but it is also a kind of remembering: it manufactures an immediate past, and thus makes us retrospectively and prospectively older. Bergman’s Wild Strawberries starts with a dream and ends with a memory, aligning its beauty with the beauty of its seventy-seven-year-old star, the great Swedish actor and director Victor Sjöström.
Another classic of world cinema with old people. Yawn.
Vittorio De Sica
Really? Another canonical film about an old guy? At least it costars a dog.
News from Home
This is supposed to be one of those good-for-you, demanding, feminist, kind-of-structuralist, avante-garde, check-it-off-the-list, Brown-semiotics-major-required-viewing films. Perhaps it’s all of those things. It’s also profoundly moving, original, and, weirdly, entertaining.
Brian De Palma
Close-up and Blow Out make a great double feature, mainly because their titles sound so cool together but also because you can’t find two better examples of wickedly smart and politically alive “self-referential” cinema that couldn’t be less doctrinaire. Also, because including Brian De Palma proves I’m not a total snob and allows me to plug one of the funniest and most intelligent books of film theory of the past decade, Chris Dumas’s Un-American Psycho.
Frank Kozik’s Top 10
Credited with single-handedly reviving the lost art of the concert poster, Frank Kozik credits his career to his enthusiasm for Austin, Texas’s growing underground rock scene in the mid-eighties. Find out more, at frankkozik.net and fkozik.com. In…
Iron and Wine’s Top 10
Samuel Beam is an American singer-songwriter (and former film studies professor!) better known by the stage name Iron and Wine. His last album was 2007’s The Shepherd’s Dog, and a follow-up is in the works.
Chuck Klosterman’s Top 10
Chuck Klosterman is the author of seven books (most recently, The Visible Man and Eating the Dinosaur) and serves as an accidental narrator of the LCD Soundsystem documentary Shut Up and Play the Hits.
Monte Hellman’s Top 10
I’ve fulfilled a dream to become a part of the Criterion family. Criterion has helped to preserve not only the films I grew up with but also the ones I’m now trying to keep up with. Picking ten is worse than trying to choose between my wives, my…