The Rules of the Game
Are we bored with this list yet?
Cinema is most often analogized with dreaming (see Hollywood as “dream factory”), but it is also a kind of remembering: it manufactures an immediate past, and thus makes us retrospectively and prospectively older. Bergman’s Wild Strawberries starts with a dream and ends with a memory, aligning its beauty with the beauty of its seventy-seven-year-old star, the great Swedish actor and director Victor Sjöström.
Another classic of world cinema with old people. Yawn.
Vittorio De Sica
Really? Another canonical film about an old guy? At least it costars a dog.
News from Home
This is supposed to be one of those good-for-you, demanding, feminist, kind-of-structuralist, avante-garde, check-it-off-the-list, Brown-semiotics-major-required-viewing films. Perhaps it’s all of those things. It’s also profoundly moving, original, and, weirdly, entertaining.
Brian De Palma
Close-up and Blow Out make a great double feature, mainly because their titles sound so cool together but also because you can’t find two better examples of wickedly smart and politically alive “self-referential” cinema that couldn’t be less doctrinaire. Also, because including Brian De Palma proves I’m not a total snob and allows me to plug one of the funniest and most intelligent books of film theory of the past decade, Chris Dumas’s Un-American Psycho.
Nicolas Winding Refn’s Top 10
Danish filmmaker Nicolas Winding Refn is the director of the Pusher Trilogy, Fear X, Bronson, Valhalla Rising, and Drive, for which he won the best director prize at the 2011 Cannes Film Festival.
Iron and Wine’s Top 10
Samuel Beam is an American singer-songwriter (and former film studies professor!) better known by the stage name Iron and Wine. His last album was 2007’s The Shepherd’s Dog, and a follow-up is in the works.
Jeremy Workman’s Top 10
A frequent Criterion collaborator who has edited many of our trailers, the director of The World Before Your Feet charts the evolution of his movie love through multiple formats and new technologies.