The Rules of the Game
Are we bored with this list yet?
Cinema is most often analogized with dreaming (see Hollywood as “dream factory”), but it is also a kind of remembering: it manufactures an immediate past, and thus makes us retrospectively and prospectively older. Bergman’s Wild Strawberries starts with a dream and ends with a memory, aligning its beauty with the beauty of its seventy-seven-year-old star, the great Swedish actor and director Victor Sjöström.
Another classic of world cinema with old people. Yawn.
Vittorio De Sica
Really? Another canonical film about an old guy? At least it costars a dog.
News from Home
This is supposed to be one of those good-for-you, demanding, feminist, kind-of-structuralist, avante-garde, check-it-off-the-list, Brown-semiotics-major-required-viewing films. Perhaps it’s all of those things. It’s also profoundly moving, original, and, weirdly, entertaining.
Brian De Palma
Close-up and Blow Out make a great double feature, mainly because their titles sound so cool together but also because you can’t find two better examples of wickedly smart and politically alive “self-referential” cinema that couldn’t be less doctrinaire. Also, because including Brian De Palma proves I’m not a total snob and allows me to plug one of the funniest and most intelligent books of film theory of the past decade, Chris Dumas’s Un-American Psycho.
Wes Anderson’s Top 10
“I thought my take on a top-ten list might be to simply quote myself from the brief fan letters I periodically write to the Criterion Collection team.” His selections were, unsurprisingly, delightful.
Allison Anders’s Top 10
“Wow, this assignment kicked my ass in a glorious way!” said Anders. “As with everyone before me, picking just ten Criterion classics is too daunting; so you have to find a system that allows you to play a favorite game, all the while knowing t…
Richard Ayoade’s Top 10
The British comedian, actor, writer, and director Richard Ayoade is best known for his starring role on the UK television series The IT Crowd and his successful directorial debut Submarine, which was released in the U.S. in 2011.