Jean Rouch and Edgar Morin
Chronicle of a Summer
Two crossroads films about human nature and the nature of truth. Viewed from a certain angle, they seem to hold all the possibilities—even as they acknowledge all the limits—of cinema.
Paul Thomas Anderson
Maximalists of affect, Cassavetes and Anderson are always asking versions of the same question: How much emotion can a movie contain? Or maybe: How many emotions? These two films run the gamut, moving in surges of joy and sorrow, erasing the line between tragedy and comedy.
A Hollis Frampton Odyssey
News from Home
Frampton’s structural riddle (nostalgia) and Akerman’s city symphony News From Home are brilliant experiments in self-portraiture and sound-image relationships that both derive their power from paradox. His film enacts a tug of war between memory and anticipation; hers conjures an indelible sense of both place and displacement.
The Exterminating Angel
Dramas of entrapment and enervation—sly, haunting, eternally strange—from two of the most singular and most class-conscious directors the cinema has seen.
Death by Hanging
Rainer Werner Fassbinder
Ali: Fear Eats the Soul
Oshima is often likened to Godard, but I think the true kindred spirit is Fassbinder—for the restless intellect and furious productivity, and the rage, wit, and lucidity with which they probed their respective national psyches. These are also two of the most devastating films ever made about racism.
Bigger Than Life
The defining patriarchs of American cinema—as embodied by James Mason and Dennis Hopper in these towering performances—are, fittingly, also the most monstrous.
Enigmatic portraits of anomic drift and modern soul-sickness that are also crystalline dissections of their moments (postwar industrialization, the AIDS era), featuring two master classes in screen acting by Monica Vitti and Julianne Moore.
Symbiopsychotaxiplasm: Two Takes by William Greaves
Self-reflexive absurdist psychodramas, overflowing with big ideas and confrontational energy. The failings of independent American cinema, embattled from the start and struggling to remain relevant, are too numerous to list. But one thing it could use is more films like these.
Patton Oswalt’s Top 10
Patton Oswalt is a stand-up comic, the instigator of the Comedians of Comedy tour, and voice star of Pixar’s Ratatouille. He wrote an appreciation of Allen Baron’s film Blast of Silence in Sean Phillips’s comic book Criminal (Phillips did the a…
Jaime Hernandez’s Top 10
Hernandez is the coauthor—along with his brothers Gilbert and Mario—of the seminal comic Love and Rockets. His most recent books, all available from Fantagraphics Books, include Ghost of Hoppers, The Education of Hopey Glass, and Locas: The Maggi…
Richard Linklater’s Top 10
Richard Linklater, whose groundbreaking Slacker we released in 2004, and whose Dazed and Confused we released in 2006, offers up his list of favorite Criterion DVDs. About his “ever-changing but current top ten,” Linklater says, “I've been revi…
Steven Yeun’s Top 10
An international star who has delivered acclaimed performances in The Walking Dead, Okja, and Burning, Steven Yeun tells us about the “wise grace” of Tokyo Story, the brutality of RoboCop, and other Criterion favorites.