The Criterion Collection
One of French master Jacques Demy’s starkest films screens at the Avon in a series of Gallic classics.
One of Yasujiro Ozu’s lesser-known genre films, Dragnet Girl screens with an electronic score by the band Coupler next Tuesday in New York.
Revel in Marlene Dietrich at the height of her stardom and artistry when Shanghai Express hits the big screen tonight at the Loft Cinema.
A shining model of humanism in cinema, The Rules of the Game screens at the Coolidge Corner Theatre, accompanied by a talk with a noted scholar.
Next week at the SXSW Film Festival, the Talking Heads frontman’s first and only feature film screens in our 4K restoration, with the director in attendance.
A marvel of cinematic resourcefulness, Orson Welles’s low-budget take on Othello plays at the Gene Siskel Film Center next week, with an introduction by Jonathan Rosenbaum.
Digital restoration artist Eric Luszcz introduces a screening of our new restoration of one of Alfred Hitchcock’s most perfect thrillers.
This Friday, critic Girish Shambu appears at the TIFF Bell Lightbox to introduce Aki Kaurismäki’s warmhearted fable Le Havre, the first film in his trilogy about the refugee crisis in Europe.
This Saturday, a double feature at the Brattle Theatre highlights the dark side of the late, great filmmaker.
Two action classics that made Jackie Chan one of the biggest stars in the world are coming back to theaters this week in new restorations.
Two of the great silent comedian’s best-loved films screen together at the Los Angeles County Museum of Art next Tuesday.
Travel back to the dawn of the eighties with The Last Days of Disco, playing today at Augusta University in a series of screenings celebrating its writer-director.
Luis Buñuel skewers high society in his audaciously experimental late-career satire The Exterminating Angel, playing at the Indiana University Cinema this week.
Often imitated but never duplicated, Akira Kurosawa’s genre-bending samurai classic Yojimbo plays tomorrow in the Coolidge Corner Theatre’s After Midnite series.
By turns funny and touching, Marcel Pagnol’s The Baker’s Wife—which Orson Welles hailed as a “perfect movie”—opens for a weeklong run at Film Forum this Friday.
One of the all-time scariest creature features kicks off a three-week-long tribute to the director at the Film Society of Lincoln Center.
Rainer Werner Fassbinder skewered the emptiness of capitalist values in Lola, a fifties-set homage to Josef von Sternberg’s The Blue Angel, playing this Sunday at the University of Wisconsin.
Godfrey Reggio’s Koyaanisqatsi, a fiercely experimental look at the excesses of modernity, screens tonight at the Trylon cinema in Minneapolis.
Celebrate Thanksgiving with one of the grimmest and grimiest comedies of the eighties, Bruce Robinson’s beloved Withnail and I.
Filled with passion and intrigue, one of the great epic romances of French cinema plays this Sunday at the Miami Beach Cinematheque.
California’s Berkeley Art Museum and Pacific Film Archive celebrates one of Italian cinema’s great perfectionists with a screening of Senso.
Seattle’s oldest continuously running movie theater showcases the career of one of American independent cinema’s great rebels.
The filmmaker behind the provocative indie hit Sorry to Bother You talks at Indiana University Cinema this week about a Paul Schrader masterpiece that has deeply influenced him.
One of the greatest of all silent films screens at a/perture cinema this Saturday, with a presentation by a Wake Forest University religious-studies professor.
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