In our release of On the Waterfront, out today on Blu-ray and DVD, we offer Elia Kazan’s film in a trio of aspect ratios. Our official presentation of the movie is in 1.66:1, but you can also watch it in its entirety in both 1.33:1 and 1.85:1 frames. Find out why we made this unorthodox choice for On the Waterfront in this informative video essay, also included in the release, which goes on to demonstrate the fascinating, subtle differences among the versions.
Fresh Ears on The Inland Sea’s Exquisite Soundscapes
Lucille Carra’s lyrical documentary got a sonic makeover when Criterion audio supervisor Ryan Hullings solved two major problems that have followed the film since its release.
Veteran archivist Ross Lipman untangles the complexities of restoring Barbara Loden’s film, from questions surrounding the tonal quality of its images to the mysteries of its aspect ratio.
Diving into the Nitty-Gritty of Film Conservation in Kolkata
Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
A New Restoration Brings Detour Back to the Big Screen
Long available only in substandard public-domain prints, Edgar G. Ulmer’s noir masterpiece looks better than ever in the new restoration opening at New York’s Film Forum this week.