Criterion’s new restoration of Alfred Hitchcock’s 1934 thriller The Man Who Knew Too Much was a project many years in the making. Since the original negative is missing, the first challenge was to find the best possible source elements; only then could a serious cleanup effort begin. In this new video, narrated by our technical director, Lee Kline, and included with our release, get a detailed, inside look at the step-by-step process of bringing back The Man Who Knew Too Much with the best possible image.
Diving into the Nitty-Gritty of Film Conservation in Kolkata
Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
A New Restoration Brings Detour Back to the Big Screen
Long available only in substandard public-domain prints, Edgar G. Ulmer’s noir masterpiece looks better than ever in the new restoration opening at New York’s Film Forum this week.
A Preservationist’s Puzzle: Restoring The Front Page
When the Academy Film Archive embarked on a new restoration of The Front Page, preservationists stumbled onto a mystery regarding the existing prints of the film.