Criterion’s new restoration of Alfred Hitchcock’s 1934 thriller The Man Who Knew Too Much was a project many years in the making. Since the original negative is missing, the first challenge was to find the best possible source elements; only then could a serious cleanup effort begin. In this new video, narrated by our technical director, Lee Kline, and included with our release, get a detailed, inside look at the step-by-step process of bringing back The Man Who Knew Too Much with the best possible image.
Fresh Ears on The Inland Sea’s Exquisite Soundscapes
Lucille Carra’s lyrical documentary got a sonic makeover when Criterion audio supervisor Ryan Hullings solved two major problems that have followed the film since its release.
Veteran archivist Ross Lipman untangles the complexities of restoring Barbara Loden’s film, from questions surrounding the tonal quality of its images to the mysteries of its aspect ratio.
Diving into the Nitty-Gritty of Film Conservation in Kolkata
Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
A New Restoration Brings Detour Back to the Big Screen
Long available only in substandard public-domain prints, Edgar G. Ulmer’s noir masterpiece looks better than ever in the new restoration opening at New York’s Film Forum this week.